Hello Cartoon Researchers! Long time no post…and I hope all of you have been well. This year has been a particularly difficult one in my little offshoot of the Stathes family, and the Cartoons On Film archives have also suffered quite a bit as well. I’ll spare readers the unfortunate details about that situation for now, but I invite anyone who would like to read up on what happened and possibly help to learn more here.
If you’ve had the opportunity to enjoy my two prior home video releases, Cartoon Roots and Cartoon Roots: The Bray Studios—Animation Pioneers, you’ll know that I have made it my duty to curate collections of early animated films for contemporary audiences. But let’s be kind and rewind for a moment. As a young child in the VHS era, interested in animation history, I found researching and viewing the oldest surviving cartoons to be a difficult task. Many of the films in this subgenre were considered (and still are) completely “lost”; the majority of extant examples were housed in non-circulating private collections and institutional archives, and only a tiny percentage of those lucky specimens found themselves on the open market for home viewing. Something had to be done.
At some point in the twenty odd years that I’ve been collecting archival film prints of these early films (initially for my own viewing), I realized that I needed to try and correct the problem I faced as a child by gradually making my finds more viewable and accessible to the general public. In 2009 I began my 16mm Cartoon Carnival screenings, a series of now-monthly New York City retrospectives of early cartoons shown with a “reel” film projector, just like in the old days. There have always been popular holiday-themed animated cartoons, and our holiday screenings are among the most enjoyed and well-attended.
Speaking of 16mm screenings…if you’re in the New York City area, check out this year’s Halloween edition of the Cartoon Carnival, happening this Sunday, 10/22/17, in Brooklyn NY here — I’ll have copies of Halloween Haunts available there in person!
For this latest Cartoon Roots release, it is my absolute pleasure to bring you a glorified sampling of the films we enjoy at our annual Halloween 16mm Cartoon Carnivals—except with brand new 2K restorations performed by a team of very talented colleagues. Production of this endeavor would not have been possible without the commendable efforts of Devon Baxter, Stephen DeStefano (check out that blood-curdlingly cool cover art below!) David Gerstein, David Grauman, Thad Komorowski, Steve Stanchfield, and Maira Vergara.
In the spirit of my live shows, and as a means of paying homage to the small-gauge formats that serendipitously preserved older theatrical cartoons that no longer survive in 35mm form, with original title cards, we’ve “preserved” the manner in which some of these films circulated in 16mm— with interesting reissue title cards—long after their theatrical showings ended.
THE HAUNTED HOTEL (J. Stuart Blackton, 1907)*
THE PUMPKIN RACE (Roméo Bosetti, 1907)**
Out of the Inkwell: THE OUIJA BOARD (Max Fleischer, 1920)**
Dinky Doodle: JUST SPOOKS (Walter Lantz, 1925)**
Out of the Inkwell: Koko Sees Spooks (Max Fleischer, 1925)
Alice’s Mysterious Mystery (Walt Disney, 1926)**
Mutt & Jeff: SLICK SLEUTHS (Associated Animators, 1926)**
Hot Dog Cartoons: PETE’S HAUNTED HOUSE (1926)
Felix the Cat: SURE-LOCKED HOMES (Otto Messmer, 1928)**
The Fresh Lobster (circa 1920s) with Billy Bletcher
Snap the Gingerbread Man: The Witch’s Cat (Kinex Studios, 1929)**
Waffles & Don: The Haunted Ship (Van Beuren Productions, 1930)
Felix the Cat: SKULLS AND SCULLS (Otto Messmer, 1930)
Tom & Jerry: WOT A NIGHT (Van Beuren Productions, 1931)
Felix the Cat: BOLD KING COLE (Van Beuren Productions, 1936)
*new musical score by Robert Israel
**new organ score by Charlie Judkins
Also included are galleries of behind-the-scenes extras and an informative booklet with liner notes—all together in one Blu-ray/DVD combo package, so buyers with either kind of player can enjoy this set!
Ordering Instructions a.k.a. The Fine Print:
For October 2017 alone, Halloween Haunts can be purchased two different ways…directly through me (there’s an incentive***), or here on Amazon.
Amazon orders in the U.S. will be shipped via First Class mail through October 31st, and via media rate after that date. All international Amazon orders will ship via First Class.
Direct orders: simply send US$25 (for U.S.A. residents), US$30 (for Canadian residents), or US$35 (for all other international residents) to me via PayPal at firstname.lastname@example.org. Be sure to include your shipping address.
***Domestic U.S.A. orders made directly with me through Saturday, 10/28/17 will be shipped via Priority Mail, for speedy delivery, at no additional cost to you! International orders will all be shipped via First Class.
All orders made on Amazon or directly through me in the next couple of days will be processed this weekend, and will be sent out early next week (i.e. Monday 10/23, Tuesday 10/24, etc.) If you see a shipping label preparation notification via Amazon or Paypal before those dates, please keep in mind that shipment will still only take place next week. Pre-orders made through early social media and forum announcements will be given priority, but will also ship out in the same general timeframe as new orders.
After 10/31/17, all orders should be made through Amazon. However, feel free to contact me if you cannot purchase any of the Cartoon Roots volumes there for some reason, and I will happily accommodate you. Lastly, there’s always a rush of orders when a new release comes out, and a bit of bottlenecking results in the workflow over here—so I apologize for any delays in communication over the coming days as a result of that, and I thank all of you in advance for your patience. In any case, I’m sincerely looking forward to your thoughts when you receive the set!