Lantz – a Lot! (Part 10)
Now labeled “A New Universal Cartoon”, not because the cartoon content was new, but that the studio itself was under “New” management.
Now labeled “A New Universal Cartoon”, not because the cartoon content was new, but that the studio itself was under “New” management.
In 1937 Lantz was trying to come up with a second series that would gain popularity, and put a great deal of effort into the monkeys Meany, Miny, and Moe.
1935-1936 was an interesting year for Universal and Walter Lantz. For one thing, Oswald’s transformation into a naturalistic white bunny!
Color experiments, higher budgets, and some lively James Dietrich music, allowed Lantz to respectably hold his head high during the mid 30s.
Animation at Lantz studio was getting more elaborate, and more expensive. And more musical.
Although Pooch the Pup never did catch on, the Oswalds were continuing, most recently with a run of operetta cartoons and gagged-up fairytales.
Our time period for this week’s coverage brings us some of the last work of Pooch the Pup, and a return of Oswald Rabbit.
Pooch the Pup did not replace Oswald as the lead character in Universal’s cartoons – probably because of his lack of outstanding personality traits.
Some may find the musical scores to be the highlights of these cartoons.
Lantz’ cartoons were not artistic world-beaters. But they were sufficient to fill out the program at the local theater.
