Merrie Tunes and Looney Melodies: Bosko Carries On!
The initial 1930-31 Looney Tunes were doing respectably well in the marketplace, as they continued to plug songs from Warner Bros. various publishing companies.
The initial 1930-31 Looney Tunes were doing respectably well in the marketplace, as they continued to plug songs from Warner Bros. various publishing companies.
An especially unique aspect of Chuck Jones’s Dog Gone South is its complete absence of African American characters.
The Warner Brothers cartoon character Inki is unique in that he was a recurring African character, as opposed to African Americans like Bosko, L’il Eightball or the maid in “Tom and Jerry”.
Since Thursday is the 111th birthday of “The Man of a Thousand Voices,” let’s look at some of the later Looney Tunes recordings that Mel Blanc made especially for children.
We resume our marriage and stork survey from last week, as our trail veers into wartime romances, baby boomers, and beyond!
Today, we begin a two-part exploration of two different trails: cartoon character weddings and subsequent visits from the “stork”.
Today’s animation profile goes into an overview of one of the greats, Virgil Ross – whose work sustained an elegance and subtlety throughout his career.
“Is this trip really necessary?” Yes it is – as we examine the various references to product advertising slogans frequently heard in cartoons in the 1930s and 40s.
Time to breakdown one of animation’s greatest hoedowns—Bob McKimson’s feudin’ an’ square-dancin’ cult classic, Hillbilly Hare!
Apparently there was a fire at the Warner lot earlier in the month. Hopeful no nitrate celluloid was destroyed…