Remembering the McKimson’s: A Chat with Robert McKimson Jr.
Robert McKimson remains one of the most underappreciated directors in animation history.
Robert McKimson remains one of the most underappreciated directors in animation history.
The remainder of the 1939-40 Merrie Melodies include titles that crystalize the personalities of two of Warner’s top characters.
The 1939-40 season of Merrie Melodies saw many familiar to us from endless television runs – and, late in the season, one of the most significant cartoons of all.
By the 1939-40 season, a new pattern had now been established – and the use of Warner songs in the cartoons became much more sophisticated.
We continue with the first of many extended seasons of Merrie Melodies to come. The Warner animators were not only creative, but prolific in output – a profitable combination of character traits, to say the least.
A new decade – an old breakfast. Eggs continue to be delivered sunnyside up by all the major animation studios. Let’s serve up a dozen this week so there’s plenty to go around.
Sylvester and Tweety first teamed in 1947’s Oscar-winning Tweetie Pie, then on records in 1950, where June Foray voiced Granny five years before she took over the role in films.
For the 1938-39 film season, there were about twice as many Merrie Melodies produced in color as there were Looney Tunes in black and white.
Continuing our on-going survey of the songs used in the 1930s Warner Bros. cartoons, this week a particularly strong 1937-38 season of hits.
A gallery of goodies from the archives of Abe Levitow, an animator at Warner Bros in the Chuck Jones unit, and a director for UPA. His daughters Roberta and Judy open up about their dad.
