Animator Profiles: Burt Gillett
This month will feature a series of profiles on different figures from the Golden Age of animation that merit further analysis. This week: Burt Gillett.
This month will feature a series of profiles on different figures from the Golden Age of animation that merit further analysis. This week: Burt Gillett.
In the 1950s Walt Disney agreed to produce the Disneyland television series for ABC – and whenever Disney released a new film, he often arranged for an ABC-Paramount theatre to premiere it.
One of the animated sequences in a live action film I really like is the ‘Walrus and the Carpenter’ scene from the bizarre 1933 Paramount Alice in Wonderland.
Joseph Funaro, pastor of the Catholic church in Brooklyn Heights, got his start at Famous Studios. “I was the first, or one of the first to draw Casper for the cartoons,” said Funaro.
In 1990, it was announced that Chuck Jones was actively involved in new projects where Jones would have both creative control and equity in the characters he would create.
At Paramount Pictures offices in New York, the “Little Lulu” series of cartoons must have seemed a dream come true. And, of course, a theme song was in order.
A quick look at the music – and theme songs – used at Famous Studios in the 1940s.
This is the second of two articles regarding a forgotten, but noteworthy educational cartoon series produced by General Motors.
Of “Mr. Bug’s” song score, two were singled out for “plugging”: the romantic “We’re The Couple In The Castle”, and the rhythm song “Boy Oh Boy”.
Want to know where more of these pet phrases from cartoons originated? This post reveals their origins, from various popular radio programs of the Golden Age.