What Do You Think Was Cut From “Popeye and The Pirates”?
Something was a edited out of this 1947 Popeye cartoon. Do you have a theory on what might have been contained in the cut footage?
Category Archives: FAMOUS STUDIOS ARCHIVE
The Top Ten Greatest Famous Studios – Paramount Cartoons (IMHO)
I’ve been frequently asked to compile a “top ten” of my favorite Paramount cartoons. The problem is: how do you compare a 60s Shamus Culhane to a Bill Tytla Popeye?
Beyond Famous: Paramount’s Animated Films 1968 Onward
This week a post-script to the series I’d been placing in this space since June – an attempt to list what animated films Paramount Pictures released since closing their in-house studio in 1967.
Paramount Cartoons 1966-67
The 1966-67 season marked the end of an era. But before the doors closed, Shamus Culhane and Ralph Bakshi tried to bring a fresh sense of innovation to the studio with Merry Makers, Fractured Fables and Go-Go Toons.
Paramount Cartoons 1965-1966
This season we say goodbye to Howard Post, Modern Madcaps and Noveltoons. Say hello to Honey Halfwitch, Shamus Culhane and “Sir Blur”.
Paramount Cartoons 1964-65
The 1964-65 season would be a period of transition. Seymour Kneitel’s passing brought some unanticipated changes, director Howard Post and plenty of new characters.
Paramount Cartoons 1963-64
1963-64: Swifty and Shorty have been added to the theatrical release schedule. New Casper cartoons are on ABC. And Seymour Kneitel passes away.
Paramount Cartoons 1962-63
For the period from September 1962 to August 1963, Seymour Kneitel and crew kept busy producing 13 theatrical originals for Paramount, were deep into the King Features Trilogy, and were preparing and producing some new Casper cartoons for ABC.
Paramount Cartoons 1961-62
Paramount was able to release 21 new cartoons this season due to a clever arrangement with King Features – plus a new alliance with Gene Deitch which yielded two additional shorts.
Paramount Cartoons 1960-1961
This was a pretty good year for Paramount. They survived the sale of its library to Harvey Comics and had a robust order for 20 new theatricals. And then there was “The Cat”.
