Kem Weber and the Streamline Moderne influence at the Disney Studios in 1939
To understand why the Disney animation furniture is so revered, one has to look at Kem Weber’s earlier career and the design movements that influenced him.
To understand why the Disney animation furniture is so revered, one has to look at Kem Weber’s earlier career and the design movements that influenced him.
“I appreciate the compliment of being called the ‘creator’ of Bugs Bunny but Bugs had many fathers. My co-sires: Tex Avery, Friz Freleng, Bob Clampett and Bob McKimson.”
The Toby the Pup cartoons have been high on my list of wants ever since I saw an article by Jerry Beck in Movie Collector’s World (back in 1981!)
Composed by Carl Stalling for the 1929 short Mickey’s Follies – “Minnie’s Yoo Hoo” was the Disney studio’s first original song.
The two-film “cartoon modern” series, sporting projection innovations of their day, were united on one Disneyland album as well as scattered among various individual releases.
This week we see brief bios for animators Rudy Larriva, Lloyd Vaughn, Warren Batchelder and Keith Darling – and opinions on Inki from historian William K. Everson in 1963!
Five new songs wound up in Disney’s Cinderella. Of the five, one was virtually ignored by Tin Pan Alley. Two others received decidedly short shrift.
In 1943 Paramount Pictures realized that it had a popular hit character in producer/director George Pal’s animated African American figure “Jasper”.
“Even when I was very small, I used to dream of one day creating characters. Once, I saw a Disney film and I used to dream that one day my characters might be up there.”
A Boy and His Dog is one of my all time favorites of the Color Rhapsodies series. It’s both beautiful and incredibly cheesy at times, with a cringeworthy little boy