The Art of Abe Levitow – from the Family Archives
A gallery of goodies from the archives of Abe Levitow, an animator at Warner Bros in the Chuck Jones unit, and a director for UPA. His daughters Roberta and Judy open up about their dad.
A gallery of goodies from the archives of Abe Levitow, an animator at Warner Bros in the Chuck Jones unit, and a director for UPA. His daughters Roberta and Judy open up about their dad.
Theatrical animation studios of the 1960s tried to rock and roll. Whether they did it well is a matter of opinion.
I thought it might be interesting to de-emphasize the turkey in cartoon importance, and concentrate on the guys and gals who got the whole holiday started in the first place – the Pilgrims.
Many times I’ve wondered, after watching an adaptation of a comic character or book, just how they managed to get things so wrong given the fact that the original is so rich in content and character.
A survey of Duck Dodgers and Marvin Martian in over 60 years of animation – in all formats.
An especially unique aspect of Chuck Jones’s Dog Gone South is its complete absence of African American characters.
Walt Kelly’s popular comic strip Pogo was turned into a network prime time TV special in 1969, with Chuck Jones as director, in the hopes it could kickstart an animated franchise like Peanuts.
The Warner Brothers cartoon character Inki is unique in that he was a recurring African character, as opposed to African Americans like Bosko, L’il Eightball or the maid in “Tom and Jerry”.
He worked for Chuck Jones, Hanna-Barbara and Walt Kelly. He laid out How the Grinch Stole Christmas, The Pogo Special Birthday Special and Heavy Traffic. Here’s what he had to say about that.
What’s your favorite Chuck Jones 1960s-era Tom & Jerry cartoon? Today a look back at that era (or error?) of MGM cartoons.
