Changes All Around
By the mid-fifties, live-action films and TV were providing more of Disney’s revenue – and hit songs – than the animated features.
By the mid-fifties, live-action films and TV were providing more of Disney’s revenue – and hit songs – than the animated features.
The commercials were produced by Walt’s niece Phyllis Bounds and her husband George Hurrell, whose company, Hurrell Productions was a separate entity from the Disney studio.
The only song from “Bongo” that clicked was “Lazy Countryside”, a song written by Bobby Worth. And the music industry plugged it for all it was… ahem! … worth!
There is much good music trapped within radio transcription discs, but most collectors cannot play them –the humongous discs will just not fit on most folks’ turntables.
In celebration of the 60th year of Alvin, Simon, Theodore with David Seville, we take a look at the debut LP combining three hit singles with new tunes and old favorites.
From the score of Dumbo, Disney decided to concentrate on popularizing two of the songs: the lullaby “Baby Mine” and the rhythmic novelty “When I See An Elephant Fly”.
Once upon a time, a group of Disney animators, writers and musicians who loved jazz and collected records were all of a sudden, the toast of the music world.
The sorriest set of submissions from any year, thus far. Ward Kimball, Jules Engel and Chuck Jones must have pulled their hair out.
I’m grateful in this internet age that physical printed books still exist. So here’s a new batch of reviews – all of them have value for those of us who love animation and study cartoons.
A Greg’s-ear-view of the best of the best LP’s in the world of animation… how many of these albums have you heard? How many are on your list, too?
