Disney’s “The Grasshopper And The Ants” (1934)
Oh, the world owes us a livin’ in this week’s animation breakdown! Based on the Aesop’s fable, The Grasshopper and the Ants has become a Disney classic. Click here for more information.
Oh, the world owes us a livin’ in this week’s animation breakdown! Based on the Aesop’s fable, The Grasshopper and the Ants has become a Disney classic. Click here for more information.
In the early ‘40s, while he was animating for Warner Bros., Gil Turner was one of the first artists recruited by Jim Davis to freelance in funny animal comic books.
The Dissociated Press (DP) is writing an upcoming story on Bugs Bunny’s show business career! See it here on this week’s breakdown…
Jim Tyer began drawing stories for the St. John comics in 1948. Unlike the other freelancing animators, Tyer wrote his own stories, which often led to strange but humorous ideas.
In the 1940s, arguably the most prominent animator from Famous Studios to freelance on funny animal comics was Jim Tyer, at the time serving as head animator/de-facto director on Popeye cartoons.
Everybody’s truckin’ with this week’s breakdown, one of my favorite Silly Symphonies! Ward Kimball animates the final montage sequence in the film – perpetuating exuberant energy.
Harman and Ising’s second cartoon for MGM is more gag-oriented than their later Happy Harmonies, where they emphasized charm and spectacle, seeking to emulate Disney’s Silly Symphonies.
Who animated which scene – shot by shot? Yes, that’s right – This week’s breakdown features Ren and Stimpy, you eeeediots!
This film posed a challenge for the studio, in animating two human characters in a delicate fashion, but the results reveal a problematic struggle.
Come to the Land of Symphony, or maybe you’d like to sail over to the Isle of Jazz, for this week’s breakdown!