The Top Ten Greatest Famous Studios – Paramount Cartoons (IMHO)
I’ve been frequently asked to compile a “top ten” of my favorite Paramount cartoons. The problem is: how do you compare a 60s Shamus Culhane to a Bill Tytla Popeye?
I’ve been frequently asked to compile a “top ten” of my favorite Paramount cartoons. The problem is: how do you compare a 60s Shamus Culhane to a Bill Tytla Popeye?
The 1966-67 season marked the end of an era. But before the doors closed, Shamus Culhane and Ralph Bakshi tried to bring a fresh sense of innovation to the studio with Merry Makers, Fractured Fables and Go-Go Toons.
This season we say goodbye to Howard Post, Modern Madcaps and Noveltoons. Say hello to Honey Halfwitch, Shamus Culhane and “Sir Blur”.
The 1964-65 season would be a period of transition. Seymour Kneitel’s passing brought some unanticipated changes, director Howard Post and plenty of new characters.
1963-64: Swifty and Shorty have been added to the theatrical release schedule. New Casper cartoons are on ABC. And Seymour Kneitel passes away.
For the period from September 1962 to August 1963, Seymour Kneitel and crew kept busy producing 13 theatrical originals for Paramount, were deep into the King Features Trilogy, and were preparing and producing some new Casper cartoons for ABC.
Paramount was able to release 21 new cartoons this season due to a clever arrangement with King Features – plus a new alliance with Gene Deitch which yielded two additional shorts.
This was a pretty good year for Paramount. They survived the sale of its library to Harvey Comics and had a robust order for 20 new theatricals. And then there was “The Cat”.
The 1959-60 season was a busy one for the Paramount Cartoon Studio – but not all of the work was for Paramount, nor was it for the big screen.
On July 27th 1958 it was made official – Harvey Comics bought the post-1950 Paramount Pictures cartoons. Paramount’s in-house animation department would now continue on – sans its popular creations.