Walt Disney Classified: The Layout Manual, Part 2—THE CAMERA
The Camera Department at Disney provided one of the most vital functions of the animation process – because without it, how would audiences be able to view the films.
The Camera Department at Disney provided one of the most vital functions of the animation process – because without it, how would audiences be able to view the films.
One of the most colorful and controversial figures of the legendary Disney Strike of 1941 was Herb Sorrell. For your enlightenment, here is a first hand account of the Disney strike while it was happening.
Adrienne le Clerc met her husband Bill Tytla in 1936 when she was a 22-year-old actress and fashion model from Seattle, earning extra money by posing for Disney Studio art classes.
Walt’s message in his 1941 employee Layout Manual marked the transition for the studio from solely entertainment production to a defense plant turning out training films.
Phyllis Craig started as a painter on Peter Pan moved up to do inking, and, eventually doing color key work on Sleeping Beauty.
Marc Davis was called by Walt his “Renaissance Man” because of his contributions in so many areas from animation to Imagineering. I was able to ask him about the story men he worked with.
Ken Anderson’s official credits list such titles at Disney as art direction, art supervision, story, color, styling, layout, production, character development and more.
Disney’s studio also created countless wartime posters, pamphlets and insignia for the war effort. Here’s one that uses Donald Duck as its spokesman.
John Hench’s work on Disney animation is often forgotten, and his contribution to Fantasia has not really been documented – even in the book he wrote himself.
“One theme that kept haunting Walt was the story of Hiawatha,” said Frank Thomas. “He kept bringing it up over the years, trying to find the right way to do something with it.”