Danny Kaye’s Weavie-Weavies
Walt Disney was always looking for opportunities to find additional work for his artists. One solution was supplying short animated segments for features from other movie studios.
Walt Disney was always looking for opportunities to find additional work for his artists. One solution was supplying short animated segments for features from other movie studios.
An attempt to chronicle animation’s departures to a higher (or often lower) plane, exploring themes of reward or retribution to the animated mind.
Castle Film’s distribution of cartoons to the home-viewer market helped African American parents to entertain their children in comfort for years.
The preservation work on Ub Iwerks ComiColor cartoons continues. Here’s a little report on the state of the master film elements for the earliest films.
I thought I’d write a little this week about the basic stages of producing a Thunderbean title, using the Flip the Frog Blu-ray set as an example.
I thought it would be a nice thing to share this jaw dropping restoration of The Caveman with Willie Whopper, from the Willie Whopper Blu-ray project a few years back.
Here are some frames from the beginning and ending leader of Flip prints that are amusing to see (and of course were never intended to be seen by an audience).
As a special treat this week, here is the first restoration we’ve made public: the *almost* finished clean up of A Chinaman’s Chance (1932), with the Celebrity Pictures titles.
The premiere of Frolicking Fish occurred on July 19th, 1930 with prints of the cartoon printed on green stock to produce an effect appropriate for the setting.
A Busy Day (1940), the second in a series of Gran’Pop cartoons from Cartoon Films, Ltd – the studio Ub Iwerks owned after parting with Celebrity Productions.