Fleischer Promo Art #18: “At Their Peak!”
Jan.-Feb. 1937 This week we have a bit of sidebar from animation director Bob Jaques. He has noticed a dip in the quality of the Popeye promo art that I’ve…
Jan.-Feb. 1937 This week we have a bit of sidebar from animation director Bob Jaques. He has noticed a dip in the quality of the Popeye promo art that I’ve…
The “Any Language” theme continues. Now you can see not just one, but two Olive Oyl navels, and Pudgy makes his debut in Paramount Sales News, finally reflecting what’s actually…
Did Paramount Sales News get sent to exhibitors around the globe, I wonder? Paramount had its international news trade, but I suspect even these crossed the border regularly, since Fleischer…
Although it wouldn’t be released until November 1936, Paramount was keen on promoting Popeye the Sailor Meets Sindbad the Sailor whenever and wherever it could. Dig that July 1 panel…
Continuing my weekly postings of these rare Fleischer Studio promotional illustrations – this time from the May and June 1936 issues of in-house trade publication Paramount Sales News. As summer…
Continuing our weekly posting of these rare Fleischer Studio promotional illustrations – this time from the March and April 1936 issues of in-house trade publication Paramount Sales News. Please click…
Big things happened for Popeye in 1936, whereas they remained stagnant as ever for Betty (aren’t you just tired of reading that?). That release season has been cited recently as…
November-December 1935 We round out the last two months of 1935 with a handful of holiday themed panels. The “Popeye Club” the sailor touts was in response to the animated…
The most historical occasion of the September-October 1935 Fleischer output went by without so much as a whisper in the advertisements. The relationship between Bill Costello (“Red Pepper Sam”) and…
While Steve Stanchfield takes a well-deserved break after a whirl-wind trip to LA this past week (he’ll be back next week with BIG news), I’ll fill in today by posting…