“Christmas Comes But Once a Year” (1936)
There’s something disarming about this particular short, from the simple but sweet story to the clever ideas that Grampy comes up with to make new toys.
There’s something disarming about this particular short, from the simple but sweet story to the clever ideas that Grampy comes up with to make new toys.
Considering the hits Fleischer had with the two-reel Popeye epic adventures, a continuation of that format would have a good idea. But it was not to be.
Whether your preference is low-calorie whites or fattening yolks, watch your cholesterol count, as we continue with a survey of cartoons centering on what a hen lays best.
This heavily Amber-tinted print is now nearly 100 years old, but Max Fleischer and a young Roland (Doc) Crandall are still very much alive on these frames.
This one reads more like a journal entry than post this week, but it ends with Betty Boop, and that can’t be all bad!
For my final Cartoon Carnival 16mm film screening of the summer, we will honor clowns and circus life with the likes of Felix the Cat and Koko the Clown.
An attempt to chronicle animation’s departures to a higher (or often lower) plane, exploring themes of reward or retribution to the animated mind.
Ever get the feeling of deja-vu while you’re watching a cartoon you’ve never seen before? This is the first of a series of articles intended to document the development of similar ideas from studio to studio.
In 1938, The National Board of Review magazine published a radio transcript of “an instructional talk” by Fleischer animator Tom Moore and voice/story artist Jack Mercer.
Feeling her father’s legacy was being overshadowed by Walt Disney, Ruth Fleischer wrote an article for a comics fanzine published in 1966. Here are a few excerpts.