Max and Dave: Popeye 1936-37 – Most Remarkable and Extraordinary
The trade magazines of 1936-37, confirm that Max Fleischer’s Popeye cartoons were the most popular shorts on the market.
Tag Archives: Max Fleischer
Max and Dave: Betty Boop 1936 – Betty Settles Into Her New Role
If some viewers missed the spice of the earlier Boop cartoons, at least the folks at Paramount seemed to be happy.
Max and Dave: Color Classics 1937-38
While Fleischer attempted to spice up his color efforts with a string of original songs, they did not cross over to the hit parade, and produced little, if any, saleable material.
Max and Dave: Screen Songs 1937-38: And the Ball Keeps Bouncing
The screwy non-sequiturs of the early 1930’s are long gone, and the bouncing ball sequences are played straight. But the music plays on…
Max and Dave: Popeye 1936 – Of Fists and Folios
During the 1935-36 season, Popeye had become a multi-media sensation. There was that radio series starring actor Floyd Buckley… and, or course, recordings ensued.
Bill Nolan directs: “The Foul Ball Player” (1940)
Nolan should be considered an animation pioneer, and he never really has gotten the accolades he deserves.
Max and Dave: Betty Boop 1935-36
In a number of these cartoons, she ceded the spotlight to subsidiary characters, most notably a dog named Pudgy, and an old inventor named Grampy.
Max and Dave: Color Classics 1936-37:
This season of Color Classics boasted an improved palette, now that the exclusive hold on the 3-strip Technicolor process had been broken.
Screen Songs 1935-36: Bring on the Bands
In 1935-36 Fleischer resumed the Screen Songs “by popular demand” – according to the trade advertisements. But this time certain changes were made.
Max and Dave: Popeye 1934-35: From Stren’th to Stren’th
Some feel the Popeye cartoons may have been formula, but the public was eating it up, like so many spinach rolls.
