Animation Anecdotes #353
Leonard Maltin wrote Jay Ward a letter when he was twelve years old and Ward wrote back “on wonderful embossed Bullwinkle stationery!” Thus began a lively and very friendly correspondence.
Leonard Maltin wrote Jay Ward a letter when he was twelve years old and Ward wrote back “on wonderful embossed Bullwinkle stationery!” Thus began a lively and very friendly correspondence.
“Unlike most people in television, Jay Ward didn’t underestimate the intelligence of the audience. It’s the most important creative thing I ever learned.”
Disney characters and films are so iconic – and represent all that is good and clean – that they are a tempting target for parody. Here are a few classic examples.
“Jay Ward’s Animated Cereal Capers”, a new Cartoon Research mini-book, explores the Cap’n’s story and the men behind his creation in 1962.
The sorriest set of submissions from any year, thus far. Ward Kimball, Jules Engel and Chuck Jones must have pulled their hair out.
These internal memos – I believe from the files of CBS – I post for no other reason than they’re just a few more pieces in the jigsaw puzzle of animation history.
Rather than hire somebody to write a plethora of old-sounding songs, the Jay Ward people went to Bill Scott’s memory of old songs he’d learned at camp.
Animator Dave Spafford created three versions of Woody Woodpecker – one for each nominee – to announce the winner of the 1991 Academy Award for Best Cartoon Short.
“He loved ballet, was crazy about ballet,” Bill Scott said of director Bobe Cannon. “He considered animated movement a form of ballet and when he would design a film, it would largely be in terms of ballet motion.”
The Biography of Dudley Do-Right. The long extinct Dudley Do-Right Emporium (1971-2005) that was open on a whimsical limited basis whenever they felt like it on Sunset Boulevard had a…