We, Robots! – Part 2: The 30’s – Of Title Bouts and Technocrats
The earliest cartoon robot man appears in the Van Buren Aesop’s Fable talkie The Iron Man. Here’s a survey of all robot men in the 1930s.
The earliest cartoon robot man appears in the Van Buren Aesop’s Fable talkie The Iron Man. Here’s a survey of all robot men in the 1930s.
Even The Beatles couldn’t beat “Sugar, Sugar” for the number one hit of 1969, when the Archies enjoyed a highly unique success – much imitated but never equaled.
No, this article’s not all about Dreamworks or Pixar. It’s summer – so I figured we need something appropriate for the season. Summer means picnics. And picnics inevitably mean – ants!
Should Russi Taylor’s vast voice acting artistry be “Minnie-mized” with a single credit? Gosh, no! Let’s start our tribute with another iconic role she also played for years
Paul Frees and Art Gilmore hawk a spaced-out feature, as we feature discs with animation ties that epitomize the baby boom era’s obsession with the space race.
For once, a shorter trail this week – and a rare opportunity to see a head-to-head battle of creativity between John Hubley and king of the gags, Tex Avery.
In 1956, the newly formed ABC-Paramount Records earliest releases were drawn from the “Official Mickey Mouse Club” recordings.
By the mid-fifties, live-action films and TV were providing more of Disney’s revenue – and hit songs – than the animated features.
The commercials were produced by Walt’s niece Phyllis Bounds and her husband George Hurrell, whose company, Hurrell Productions was a separate entity from the Disney studio.
The only song from “Bongo” that clicked was “Lazy Countryside”, a song written by Bobby Worth. And the music industry plugged it for all it was… ahem! … worth!