Manuel Moreno and Bill Nolan
How an Oswald the Lucky Rabbit animator learned from a ‘secret’ instructional, whose author then joined him at Universal.
How an Oswald the Lucky Rabbit animator learned from a ‘secret’ instructional, whose author then joined him at Universal.
Here’s the evidence that a mail-order lesson by a notable animator reached an even more famous student.
Harding was the first female animator in Hollywood and she exerted a strong design influence on the Walter Lantz characters, including Woody Woodpecker.
Psst, a secret. After fifty columns looking at so many facets and anecdotes of Walter’s life, here is how his legacy resonates today.
Long before ‘infinity and beyond’, there was an original Sheriff Woody and a rival named Buzz.
Virgil Ross remembered some fascinating details of his time working with Tex Avery and Ray Abrams at the Universal Cartoon Dept.
A restoration of Universal’s “King of Jazz” brings back a storied gem from the studio vaults, including the animated prologue produced by Walter Lantz and Bill Nolan.
When Pinto Colvig switched from Lantz to Disney, his looping signature may have played a small role in leading to something iconic and happily everlasting.
Ben Clopton was a rugged cowpoke from Montana before he came to Hollywood. After he among others left Walt Disney to sign with Winkler Studios, it was The Mouse that got the last laugh.
Mack Sennett envisioned a gag seen through binoculars for a 1928 feature film. The resulting effort became a legend of a story that saw Walter Lantz getting his first big break as an animator in Hollywood.