Famous Studios: Noveltoons 1948-51
The Noveltoons of the late 1940’s and early 1950’s continued to please audiences, steady as she goes.
The Noveltoons of the late 1940’s and early 1950’s continued to please audiences, steady as she goes.
These cartoons seem to be developing a formula: find a locale, and build gags around it – and bonuses for the abundance of punny gags.
Their were endless possibilities in the combination of Popeye, Olive Oyl, and Bluto – as well as in the music played in the background.
The songs used as the studio launched its own stable of characters to compete with the Looney Tunes and Tom and Jerry.
Extreme cases present themselves, when a cartoon you had to skip over because it was unavailable suddenly gets found. Here are a few.
A notable change in the 1940s was the replacement of musical director Sammy Timberg by Winston Sharples, who had a habit of dipping into the Famous Music reliquary.
The Paramount Noveltoons during the immediate postwar years were met with considerable musical success.
Paramount cartoons return to New York and introduce a new cartoon series during the wartime forties – loaded with music.
When Paramount foreclosed on Max Fleischer’s studio, they certainly had great hopes for Popeye. He was their bread and butter (despite wartime rationing).
A special supplement to wrap up the Fleischers, on the recorded work of our favorite Valentine, Mae Questel, on records.