Walt Disney’s “Babes In The Woods” (1932)
Here’s the opening installment of what I’m calling “Fairy Tale February”! My initial entry looks at Disney’s first serious fairy tale adaptation in an early Silly Symphony.
Here’s the opening installment of what I’m calling “Fairy Tale February”! My initial entry looks at Disney’s first serious fairy tale adaptation in an early Silly Symphony.
Maltese freelanced in writing “funny animal” comic stories for the Sangor/Davis shop published between 1945-48 – and for Western Publishing (Dell and Gold Key) in the ‘60s and ‘70s
Here are a few of the known comic book stories, that I’m aware of, written by Fleischer-Warner Bros-Hanna Barbera storyman Warren Foster.
One of Chuck Jones top animators, Phil Monroe, joined his colleagues, picking up a few extra bucks by drawing funny animal comics – with several written by Michael Maltese!
Hawley Pratt had a sporadic career in moonlighting for “funny animal” comics for James Davis’ shop, while working as a layout artist at Warners Bros. under Friz Freleng.
Part two of my survey of comic book art by animator Marty Taras – the creator of Baby Huey – who’s specialty of hilariously violent slapstick action made him a perfect artist for Harvey comics of the 1950s.
Others might disagree, but I believe Son of Stimpy (or Stimpy’s First Fart) should be ranked with the finest holiday TV specials. Here’s a breakdown that explains how it came to be.
In between his move from Terry to Famous, Marty Taras began drawing “funny animal” stories, primarily for Jason Comic Art (JCA), run by publisher Edward Jason.
Things are looking a little cuckoo with this week’s breakdown!
Irv Spence and Rod Scribner, both known for the unbridled energy of their animation, took a chance free-lancing their own “funny animal” stories for Happy Comics.