Looney Tunes 1941-42 – There’s a War Going On, Folks!
By the end of this season, there were not only occasional references to the ongoing conflict, but entire cartoons inspired by it.
By the end of this season, there were not only occasional references to the ongoing conflict, but entire cartoons inspired by it.
Continuing with the latter portion of the season in which Bugs Bunny came unto his own – and our survey of the songs Carl Stalling used on the soundtracks
Carl Stalling continued to fold songs – both old and new – into the scores of the WB cartoons.
The background music in the Looney Tunes during the 1940-41 season, at a time when the world seemed to want comedy – and escapism.
The remainder of the 1939-40 Merrie Melodies include titles that crystalize the personalities of two of Warner’s top characters.
The 1939-40 season of Merrie Melodies saw many familiar to us from endless television runs – and, late in the season, one of the most significant cartoons of all.
By the 1939-40 season, a new pattern had now been established – and the use of Warner songs in the cartoons became much more sophisticated.
We continue with the first of many extended seasons of Merrie Melodies to come. The Warner animators were not only creative, but prolific in output – a profitable combination of character traits, to say the least.
The musical highlights from those Merrie Melodies cartoons familiar from television as part of AAP’s package of shorts, first syndicated in 1956.
For the 1938-39 film season, there were about twice as many Merrie Melodies produced in color as there were Looney Tunes in black and white.