Thufferin’ Thuccotash. . . We’re On The Charts!
When the “suits” at Capitol Records saw the sales of Mel Blanc’s “I Taut I Taw A Puddy Tat” in the United Kingdom, they must have thought “it’ll sell like hotcakes here!”. They were right!
When the “suits” at Capitol Records saw the sales of Mel Blanc’s “I Taut I Taw A Puddy Tat” in the United Kingdom, they must have thought “it’ll sell like hotcakes here!”. They were right!
To what must have been the great surprise of all concerned, a Bugs Bunny/Tweety record took off–and not just with the children’s-record audience.
You can’t blame the people at the Walter Lantz studio for hoping that lightning would strike twice. But it didn’t happen with “The Woody Woodpecker Polka”.
One song out of the Cinderella score did become a major hit song. That song was “Bibbidi-Bobbidi-Boo”, subtitled “The Magic Song”.
Tin Pan Alley–the establishment of the music industry at the time of Disney’s Cinderella–gave some of the songs from the score short shrift.
Five new songs wound up in Disney’s Cinderella. Of the five, one was virtually ignored by Tin Pan Alley. Two others received decidedly short shrift.
Ichabod And Mr. Toad was the last of Disney’s “package” features. And of course, you would expect there to be popular songs attached to both elements of this package.
The song–based upon an eighteenth-century English tune–was the biggest hit connected with a Disney production since “Zip-A-Dee-Doo-Dah” nearly two years previous.
The title song–a sweet and sentimental ditty–was the object of three singers, and their respective record companies.
Of course, as any good movie of the day must, Melody Time had a main title theme song. This was a very pleasant ballad, and it actually got several covers.