Looney Tunes 1939-40: Keep On Keepin’ On
By the 1939-40 season, a new pattern had now been established – and the use of Warner songs in the cartoons became much more sophisticated.
By the 1939-40 season, a new pattern had now been established – and the use of Warner songs in the cartoons became much more sophisticated.
We continue with the first of many extended seasons of Merrie Melodies to come. The Warner animators were not only creative, but prolific in output – a profitable combination of character traits, to say the least.
A new decade – an old breakfast. Eggs continue to be delivered sunnyside up by all the major animation studios. Let’s serve up a dozen this week so there’s plenty to go around.
Sylvester and Tweety first teamed in 1947’s Oscar-winning Tweetie Pie, then on records in 1950, where June Foray voiced Granny five years before she took over the role in films.
For the 1938-39 film season, there were about twice as many Merrie Melodies produced in color as there were Looney Tunes in black and white.
Continuing our on-going survey of the songs used in the 1930s Warner Bros. cartoons, this week a particularly strong 1937-38 season of hits.
A gallery of goodies from the archives of Abe Levitow, an animator at Warner Bros in the Chuck Jones unit, and a director for UPA. His daughters Roberta and Judy open up about their dad.
By the beginning of the 1937-1938 season, both the Looney Tunes and Merrie Melodies were zooming their Warner Brothers’ shields at the audience.
By the beginning of the 1936-37 season, many of the building blocks that would form the ediface of Warner Bros Cartoons were available to Leon Schlesinger.
A.C. Gamer was typically an effects animator on Warner Bros. Cartoons and in general, that is how he is remembered. Here’s his story.