Warner Club News (1956) – Part 2
Another round of posts from the Warner Bros. in-house studio newsletter, written by and distributed essentially to Warner employees on the Burbank lot.
Another round of posts from the Warner Bros. in-house studio newsletter, written by and distributed essentially to Warner employees on the Burbank lot.
Here’s the second installment in a series on music cues used by Carl Stalling under the original main title sequences for Warner Bros. cartoons only seen in re-issue prints.
The most recent of the Censored Eleven cartoons from Warner Brothers – and the only film among the eleven to have been produced by Eddie Selzer.
Just what music did Carl Stalling originally use for the Looney Tunes main title sequences, long-since removed on the Blue Ribbon reissue prints. Here’s an attempt to answer that question.
A splice of cartoon life! This week, the first half of 1955, with these chatty columns from the Warner Bros. Cartoon Department
We continue on with the second half of 1954 with five more months, scattered throughout the year, of animation columns from the Warner Club News.
The good news—finally, an animator breakdown on a Bob Clampett cartoon! The bad news, however, is that only the first page of the animator draft is available.
The square dance fad is at a fever pitch in the Warner Bros. cartoon studio in 1950… the same year Hillbilly Hare hits the screen.
The eighth installment of my Censored Eleven series of columns looks at the 1943 Technicolor “Merrie Melodies” episode Tin Pan Alley Cats from Warner Brothers.
Another year’s worth of columns written by the staff at the Warner Bros. Cartoon Department – plus a gallery of caricatures used in these columns.