A Chat with Leo Salkin
Leo Salkin started his career at age 19, after graduating from High School, at Walter Lantz in 1932. Salkin then moved over to Mintz, where he worked on Krazy Kat and Scrappy cartoons, followed by a stint at Disney.
Leo Salkin started his career at age 19, after graduating from High School, at Walter Lantz in 1932. Salkin then moved over to Mintz, where he worked on Krazy Kat and Scrappy cartoons, followed by a stint at Disney.
For $21 a day, once a month, a soldier’s life was just the fit for these characters from Toyland, and Bugs Hardaway was the veteran of a real war who made up the gags.
Her name appeared daily on this syndicated comic strip, yet she gave it all up for her budding career as an animator at Universal.
Another round-up new books of interest for dedicated cartoon historians, die-hard cartoon watchers – and just about anyone who reads this blog on a regular basis.
Edgar O. Kiechle moved on from Lantz but remained at the studio as a set painter for Universal Pictures, leading to his scene-stealing work in “For Love or Money”.
Despite offers to work at Disney, this animation director stayed at Universal and was a driving force behind the success of the fledgling Walter Lantz studio.
Usually when Lantz got summoned by Henry Henigson, he had to sit around and watch this studio executive get shaved, but then came a surprise call about Tex Avery.
Shamus Culhane’s third Woody Woodpecker cartoon transforms him into a glutton, a trait that dominated almost all of his Woody cartoons. Let’s take a visit to Swiss Chard Lodge.
Happy New Year! We start the year with anecdotes on The Reluctant Dragon and Baby Weems, Rankin-Bass and Thundercats, Private Snafu, Yellow Submarine and Walter Lantz’ Jitterbugs.
There is even more to this Legend of Rockabye Point than at first meets the eye. Decades later, follow a runaway holiday balloon to learn a new secret about the man who gave us Chilly Willy.