Back to School (Part 9)
This week, we continue in our survey of the 1950’s, beginning with an Academy Award winner and more ventures into stylistic limited animation.
This week, we continue in our survey of the 1950’s, beginning with an Academy Award winner and more ventures into stylistic limited animation.
Today we follow animation’s sun-worshipers into the later 1950’s. Pass the bottle of Coppertone QT, if you please.
The coolest thing about seeing a 35mm Technicolor print of these Famous Studios films is all the detail and brightness of the soundtrack.
World War II was coming to an end, and Americans considered themselves as living high off the hog – and no doubt many started to look like one in the process.
We stare in wonderment (call it “stare decisis”) at the judicial process in action in the cartoons discussed herein.
I’ve had that certain ‘sound’ of the Paramount Cartoon orchestration humming in my head, so when I was thinking about what to show this week I thought about Santa’s Surprise.
If you weren’t Famous Studios or (surprise!) UPA you were not nominated this year. Everyone else: Nominated!
A comic book licensing deal with Harvey Comics would, in a few years, become the biggest thing that Famous Studios ever did for itself. Here’s the original contract between Harvey and Famous from 1951.
The 1947-48 season was one of transition. The contractual arrangement with Marge, and the license for Little Lulu, had come to an end. The cartoons had not caught on with…
Readers of this site are familiar with Paramount’s (and later Harvey Comics) Little Audrey – a character created to replace Little Lulu in a series of animated theatrical cartoons beginning…