A Musical Up-Roar 1938-39
In the 1939 season, Harman and Ising came back, each heading their own unit, and offering once again the benefits of full Technicolor.
In the 1939 season, Harman and Ising came back, each heading their own unit, and offering once again the benefits of full Technicolor.
At MGM, the Harman-Ising cartoons had been becoming more elaborate and more expensive with each passing season.
With their trademark ootsy-cutesie style continuing, and branching out into “swing” cartoons in Technicolor, the MGM cartoons kept the pace, musically at least.
At MGM, Hugh Harman and Rudy Ising found the mojo they had been seeking ever since they left Warner Brothers.
Here’s some of my own personal favorites that showed up on those sets.
Hugh Harman and Rudolf Ising were about to leave – and taking the studio’s most popular character with them. Here is Warner’s last batch of Boskos.
By the end of the 1932-33 movie season, the film industry was seeing light at the end of the tunnel- and the Merrie Melodies continued to plug Warner’s popular published songs.
The Bosko series of Looney Tunes was going on a pace. They have been popular with exhibitors, and they endeavored to plug songs by Warner Brothers’ publishing companies.
By 1932, the Merrie Melodies shorts were carrying their weight. But in some cases, they weren’t necessarily plugging the songs that were to be featured.
During the 1931-32 film season the Warner Brothers cartoon unit started their second series of cartoons, titled “Merrie Melodies”. Here are the songs that inspired them.