What Film From a Series Do You Most Want to See A Good Copy Of?
There are so many cartoons that need to be restored. This week I thought it might be fun to make a list of the top ten cartoons I’d like to see a beautiful copy of.
There are so many cartoons that need to be restored. This week I thought it might be fun to make a list of the top ten cartoons I’d like to see a beautiful copy of.
Myron Waldman was one of Fleischer’s most beloved animators. I recently conducted an interview with Bob and Steven Waldman about their father and I asked Jerry to share it here on Cartoon Research.
I’m going back to how my postings began–with letters from animators. Today, from 1997, I’m offering up the reply Myron Waldman sent to my question about Bimbo.
Wicke only voiced the villainous Bluto for a few years, from approximately 1935 to 1938, but to highly memorable effect, especially in Popeye the Sailor Meets Sindbad.
I got to meet Jack Kirby briefly and asked him about his time at the Fleischer Studio in the 1930s.
What do Pat Sullivan, Max Fleischer, Walt Disney, Ralph Bakshi, Screen Gems and Famous Studios have in common? All of them were a part of the fantastic career of animator/director Al Eugster!
This week, we look into the career of one of the most notable animators of the East Coast, Myron Waldman!
This week’s post doubles as an overview of cartoonist Ben Solomon’s animation career, and as a look at his comic book work.
This little trick film, although not animated, must have been seen by Disney and his staff at some point before or during the production of Fantasia.
As is the case with many sponsored shorts by UPA, Big Tim, produced for Timkins Ball Bearings, is more cartoon than advertisement in some ways.