UPA’s “The Sailor and the Seagull” (1949)
A beautifully produced post-war film for the Navy by UPA is today’s short!
A beautifully produced post-war film for the Navy by UPA is today’s short!
Another intensive survey of Fred Flintstone’s exercises in awkwardness or unexpected prestige – sometimes against his will.
If you enjoyed the first part of this series (posted yesterday), you’ll shout “Ole” for this installment.
Producer Eddie Selzer declared that “bullfights aren’t funny!” We attempt to prove otherwise.
A number of cartoons have provided romantic stories that pair as perfectly with Valentine’s Day as roses and a heart-shaped box of chocolates.
In this nearly plotless short, Puddy chases birds, plays with a ball, plays with Kittens, and is confronted by cows from a 1932 Terrytoon.
This week we look at a string of Flintstones episodes, in which Fred manages to fit like the proverbial square peg in the round hole.
The inventive title sequences created for Disney live-action features were mini-productions in themselves.
The last African American on-screen credit on a Golden Age theatrical cartoon short went to upright bassist Ray Brown.
Jerry Beck is a writer, animation producer, college professor and author of more than 15 books on animation history. He is a former studio exec with Nickelodeon Movies and Disney, and has written for The Hollywood Reporter and Variety. He has curated cartoons for DVD and Blu-ray compilations and has lent his expertise to dozens of bonus documentaries and audio commentaries on such. Beck is currently on the faculty of CalArts in Valencia, UCLA in Westwood and Woodbury University in Burbank – teaching animation history. More about Jerry Beck [Click Here]
