A Musical Up-Roar 1953/54
The MGM cartoon division’s response to television was mostly derisive. Scott Bradley was now more willing to mine the classics – via the public domain.
The MGM cartoon division’s response to television was mostly derisive. Scott Bradley was now more willing to mine the classics – via the public domain.
We have a special treat today: a closer look the final Lantz color cartoon in the 1934-35 release season.
This week’s installment includes brief references out of chronology to several Warner Brothers cartoons I missed. Then, we move on in 1945 and 1946
A feast of prime Grade A titles from MGM, Paramount, and Warner Brothers is on the table today.
Fewer cartoons, but lots of discography today, as trends continued at MGM favoring original scores over Tin Pan Alley.
All our action this week is centered upon four characters, all installments containing self-winks to the illustrated media.
Collector’s really do have more choice than ever for where to get their classic animation fix.
Another batch of animated eccentricities, all featuring characters that are well aware they are in a cartoon.
The early 50s saw Scott Bradley increasingly writing his own scores, and not incorporating MGM’s own published songs.
1943 continued to abound in self-conscious cartoons, ever aware of their theatrical venue.