Chatting with Lloyd Vaughan and Tom Ray
Animation veterans Lloyd Vaughan and Tom Ray both began their careers at Leon Schlesinger’s around the same time and both later worked with Chuck Jones – though not necessarily at the same time.
Animation veterans Lloyd Vaughan and Tom Ray both began their careers at Leon Schlesinger’s around the same time and both later worked with Chuck Jones – though not necessarily at the same time.
Leo Salkin started his career at age 19, after graduating from High School, at Walter Lantz in 1932. Salkin then moved over to Mintz, where he worked on Krazy Kat and Scrappy cartoons, followed by a stint at Disney.
Her name appeared daily on this syndicated comic strip, yet she gave it all up for her budding career as an animator at Universal.
This week’s installment of Foghorn February adds a th-ertain th-lobbering tomcat into the mix! Crowing Pains marks the second appearance of the loud-mouthed barnyard rooster, known as Foghorn Leghorn. Jack…
Ed Love was one of the most admired animators of cartoon shorts during Hollywood’s Golden Age, a reputation that continued on through his work in television at Hanna-Barbera.
Despite offers to work at Disney, this animation director stayed at Universal and was a driving force behind the success of the fledgling Walter Lantz studio.
Both Charles Couch and Robert Bentley were journeymen animation artists whose works and/or careers have attracted, at best, only modest attention. Here are my video encounters with each.
I’ve been frequently asked to compile a “top ten” of my favorite Paramount cartoons. The problem is: how do you compare a 60s Shamus Culhane to a Bill Tytla Popeye?
Today’s Thanksgiving feature is Shamus Culhane’s first Woody Woodpecker! “Seville” marked the first appearance of a polished incarnation of Woody, designed by animator Emery Hawkins and layout artist Art Heinemann.
This week’s breakdown profiles another film by Rudy Ising – The Milky Way – this one becoming the first non-Disney cartoon to win an Oscar for Best Animated Short.