Happy Henfruit Pt. 5: Eggs-cruciating!
More Eggs! I’ve really mixed myself into an omelette on this project, which promises to be my longest trail to date, with more and more discoveries hatching.
More Eggs! I’ve really mixed myself into an omelette on this project, which promises to be my longest trail to date, with more and more discoveries hatching.
A new decade – an old breakfast. Eggs continue to be delivered sunnyside up by all the major animation studios. Let’s serve up a dozen this week so there’s plenty to go around.
The musical highlights from those Merrie Melodies cartoons familiar from television as part of AAP’s package of shorts, first syndicated in 1956.
Stuck inside? Here’s our latest round-up of new animation books approved for cartoon fans sheltering-in-place.
Many sequences were storyboarded for Who Framed Roger Rabbit but were then left out of the final feature film for a variety of reasons. Here is one we wished they would have done.
Continuing our on-going survey of the songs used in the 1930s Warner Bros. cartoons, this week a particularly strong 1937-38 season of hits.
Renowned for helping to popularize music and artists of the Polynesian artists, Jack de Mello’s music could also be heard on The Flintstones, Magilla Gorilla and other cartoons.
By the beginning of the 1936-37 season, many of the building blocks that would form the ediface of Warner Bros Cartoons were available to Leon Schlesinger.
Here’s more orchids for remembrance, as we journey down the primrose path of the late 1940’s and early 50’s for more glimpses of Technicolor petals and exotic bouquets.
Carl W. Stalling comes aboard to do the musical scores, replacing the Brown – Spencer team, finding new ways to use the Warner songs creatively in the cartoons.