Disney’s LOST “Mickey’s Christmas Carol” Record Album
Imagine there’s no Mickey, imagine there’s no Scrooge – at least on this record – and you have the original Disneyland LP released before Alan Young made history.
Category Archives: ANIMATION SPIN
Behind the Scenes with Disney’s “Princess Christmas Album”
Master lyricist Marty Panzer recalls the making of Disney’s Princess Christmas Album with composer (and Mickey Mouse Club/My Three Sons star Don Grady).
The Rankin/Bass “Frosty” Specials on Records
A crystal-clear look at the jolly happy soul, whose TV specials melted the network competition and whose albums–particularly his Disney LP–sold like hotcakes.
Disneyland Records’ Holiday-Themed “Cinderella” Sequel
A little-known album picks up where the movie left off, weaving previous recordings from the Disneyland catalog into the mix, including a record conceived by Walt himself.
Walt Disney’s Latin American Features on Records – Part 2
As Pixar’s “Coco” continues to delight moviegoers, we continue to celebrate the glorious sound of Latin music with two vintage albums from Decca and Disneyland Records.
Walt Disney’s Latin American Features on Records – Part 1
With Disney/Pixar’s “Coco” premiering this week, here’s the first of a two-part Spin through Disney’s dance with Latin American musical artistry in the 1940’s.
Mickey’s Birthday & Donald’s Unbirthday on Golden Records
When “Mickey’s friends from Disneyland” gather for a surprise birthday party, a sullen Donald needs a “Goofy Knows Best” moment on this disc from the mid-‘50s.
Ruby-Spears’ “Fangface” on Records
Peter Pan Records’ final vinyl venture into Saturday Morning cartoons was, ironically, based on the first series by Ruby-Spears Productions.
Walt Disney’s “Trick or Treat” with June Foray on Records
Cartoon Research’s celebration of the Halloween short starring Donald Duck, his nephews and Witch Hazel continues with a look at its appearances on vinyl.
UPA’s “Gay Purr-ee” on Records
With such a stellar cast and songwriting team, powerhouse studio marketing and a who’s-who of artists behind it, UPA’s second feature couldn’t miss, right?
