Animation Anecdotes #264
Hanna-Barbera head honcho Joe Barbera was not thrilled at the idea of hiring the still living Bud Abbott to provide the voice for his animated doppleganger.
Hanna-Barbera head honcho Joe Barbera was not thrilled at the idea of hiring the still living Bud Abbott to provide the voice for his animated doppleganger.
“It pleases and encourages me to learn that ‘Disney’ style is not so fixed and limited in the public mind as to preclude further exploration in the field of entertainment.”
In 1982, when Warner Brothers’ Sylvester was a spokes-cat for 9-Lives cat food, there were also animated commercials. But it’s almost impossible to find the original unedited versions.
“People seem to think it is just a breeze to take a purple spotted pig and a tall yellow giraffe and make them characters. It doesn’t work. So I leaned toward the most unoriginal idea in the world, a cat and a mouse.” – Joe Barbera
Mort Drucker on animation: “A good commercial depends wholly on the animators. They can ruin it or make it successful. It’s very important that a cartoon flows well.”
“Walt, Ub Iwerks and Les Clark get themselves a few laughs over the 1929 antics of Mickey Mouse in a lively short called The Karnival Kid, wherein Mickey enjoys an amusement park.”
Talented animator Mark Kausler did the Bugs Bunny sequences in Joe Adamson’s independent short “A Political Cartoon” (1973). Mel Blanc recorded the voice while he was in the hospital with a broken leg.
For the November 28, 1972 issue of PUNCH magazine, writer Lloyd Chester interviewed Bob McKimson on the state of animation. Here are excerpts from that piece.
“There are only 201 men and women in the world who know how hard it is to make a Silly Symphony. These are Walt Disney and his 200 assistants at the Disney Studios, Hollywood.”
In 1990, there was some controversy about an animated commercial where Popeye states, “I’m Popeye the Quaker Man” – as members of the religious Quakers strongly disapproved of the violence-prone sailor.