“Puddy Tats here. . . Puddy Tats There!”
Helen Kane and Danny Kaye sing “I Taut I Taw A Puddy Tat” – and Mel Blanc sings a sequel tune!
Author Archives: James Parten
Thufferin’ Thuccotash. . . We’re On The Charts!
When the “suits” at Capitol Records saw the sales of Mel Blanc’s “I Taut I Taw A Puddy Tat” in the United Kingdom, they must have thought “it’ll sell like hotcakes here!”. They were right!
I Tawt I Taw A Hit Weckard!
To what must have been the great surprise of all concerned, a Bugs Bunny/Tweety record took off–and not just with the children’s-record audience.
Mel Doesn’t Shoot Blancs
You can’t blame the people at the Walter Lantz studio for hoping that lightning would strike twice. But it didn’t happen with “The Woody Woodpecker Polka”.
The Thing-umma-bob That Does The Job!
One song out of the Cinderella score did become a major hit song. That song was “Bibbidi-Bobbidi-Boo”, subtitled “The Magic Song”.
A Hit Is A Wish the Chart Makes
Tin Pan Alley–the establishment of the music industry at the time of Disney’s Cinderella–gave some of the songs from the score short shrift.
If The Slipper Fits…
Five new songs wound up in Disney’s Cinderella. Of the five, one was virtually ignored by Tin Pan Alley. Two others received decidedly short shrift.
Covering “Ichabod and Mr. Toad”
Ichabod And Mr. Toad was the last of Disney’s “package” features. And of course, you would expect there to be popular songs attached to both elements of this package.
A Dilly Dilly Hit
The song–based upon an eighteenth-century English tune–was the biggest hit connected with a Disney production since “Zip-A-Dee-Doo-Dah” nearly two years previous.
So Dear To Walt’s Heart
The title song–a sweet and sentimental ditty–was the object of three singers, and their respective record companies.
