A Musical Up-Roar 1953/54
The MGM cartoon division’s response to television was mostly derisive. Scott Bradley was now more willing to mine the classics – via the public domain.
The MGM cartoon division’s response to television was mostly derisive. Scott Bradley was now more willing to mine the classics – via the public domain.
Fewer cartoons, but lots of discography today, as trends continued at MGM favoring original scores over Tin Pan Alley.
The early 50s saw Scott Bradley increasingly writing his own scores, and not incorporating MGM’s own published songs.
MGM’s cartoon unit was humming during this period – including continuing to use tunes from various MGM musicals.
During the period covered by these cartoons, the Second World War came to an end.
The MGM cartoons of the 1940s were no longer 30s cutesie-poo – being replaced by the fast-paced, gag oriented style of Avery, Hanna and Barbera.
At MGM – Tex Avery settled into place, Tom and Jerry’s were rounding out nicely, and Barney Bar provided gentler laughs.
The musical highlights in the 1942-43 season of MGM cartoons.
During the 1940-41 season, MGM celebrated a match made in cartoon heaven – the teaming of William Hanna and Joseph Barbera.
The cartoons were starting to retreat from the ooey-gooey style of the early Happy Harmonies. And at times, they could create an unexpected classic.