In His Own Words: Willie Ito on his Animation Career
“I saw those dwarfs marching across that log bridge, and I was hooked. I knew I wanted cartooning to be my life’s work.”
“I saw those dwarfs marching across that log bridge, and I was hooked. I knew I wanted cartooning to be my life’s work.”
It’s not the top cartoon of the series, but I thought I’d share it this week – a scan from Mark Kausler’s very nice 16mm print.
We clean up the subject of robotic output from Cartoon Network, as well as a few goodies that aired on Kids W-B.
Paramount cartoons return to New York and introduce a new cartoon series during the wartime forties – loaded with music.
Charlotte’s Web would be the third theatrical feature from Hanna-Barbera, and the first not to feature one of their famous television stars.
Most people do not recall that cartoonist Ketcham got his start working at Walter Lantz and later at Disney before he entered the Navy in 1942.
I’ve always been fascinated by the really odd films that are a part of the regular release schedules at pretty much every studio. Here’s one from Lantz.
Some random ramblings about radical robots, some from network, some from prime time, and some from Saturday syndication.
We continue our celebration of Disney’s game-changing classic Snow White and the Seven Dwarfs with more albums based on the score.
“What did you expect on an animation blog? A happy anniversary post?”