{"id":9334,"date":"2014-03-04T00:01:25","date_gmt":"2014-03-04T08:01:25","guid":{"rendered":"http:\/\/cartoonresearch.com\/?p=9334"},"modified":"2020-01-26T19:52:53","modified_gmt":"2020-01-27T03:52:53","slug":"mr-peabody-on-record","status":"publish","type":"post","link":"https:\/\/cartoonresearch.com\/index.php\/mr-peabody-on-record\/","title":{"rendered":"Mr. Peabody on Record"},"content":{"rendered":"<p><em><strong>Last time you remember, our heroes Rocky and Bullwinkle were cutting an original cast record! But little did they know that their composer had also made a record, and that half a century in the future, a Mr. Peabody and Sherman movie soundtrack album would be released as well! <\/strong><\/em><\/p>\n<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/cartoonresearch.com\/wp-content\/uploads\/2014\/03\/RockyBullwinkleLP-600.jpg\" alt=\"RockyBullwinkleLP-600\" width=\"600\" height=\"589\" class=\"aligncenter size-full wp-image-9336\" srcset=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2014\/03\/RockyBullwinkleLP-600.jpg 600w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2014\/03\/RockyBullwinkleLP-600-300x294.jpg 300w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2014\/03\/RockyBullwinkleLP-600-150x147.jpg 150w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2014\/03\/RockyBullwinkleLP-600-50x50.jpg 50w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/>\n<p><\/p>\n<p><strong>ROCKY AND HIS FRIENDS<\/strong><br \/>\n<em>TV\u2019s Original Cast Album<\/em><br \/>\nGolden Records LP-67 (12\u201d 33 rpm \/ Mono \/ 1961)<br \/>\nLittle Golden Records 659 (Two Songs: 7\u201d45 rpm \/ 6\u201d 68 rpm \/ Mono \/1961)<br \/>\nPartial Reissue: Wonderland-Golden Records LP- 285 (12\u201d 33 rpm \/ Mono \/ 1972)<\/p>\n<p><strong>Producers<\/strong>: Jay Ward Productions, Arthur Shimkin, Hudson Productions. Writer: Paul Parnes. <strong>Arranger\/Conductor<\/strong>: Dennis Farnon. Running Time: 34 minutes. <\/p>\n<blockquote><p><strong>Voices<\/strong>: June Foray (Rocky, Natasha, Red Riding Hood, Grandma); Bill Scott (Bullwinkle, Mr. Peabody, Police Officer; Livingstone, Gidney); Paul Frees (Boris, Police Officer, Ponce DeLeon, Stanley, Cannibal); Walter Tetley (Sherman).<\/p><\/blockquote>\n<blockquote><p><strong>Songs:<\/strong> \u201cI Was Born to Be Airborne,\u201d \u201cI\u2019m Rocky\u2019s Pal,\u201d \u201cPeabody Here!\u201d \u201cThe No-Goodnik\u2019s Song,\u201d \u201cI Wanna Go Back,\u201d \u201cPeabody\u2019s History,\u201d \u201cMoon Man Mambo,\u201d \u201cYou Gotta Have a Crook,\u201d \u201cFractured Fairy Tales.\u201d<\/p><\/blockquote>\n<blockquote><p><strong>Soundtrack Segments<\/strong>: \u201cBullwinkle\u2019s Corner: Tom Tom The Piper\u2019s Son;\u201d \u201cBullwinkle\u2019s Corner: Peter Piper;\u201d \u201cPeabody\u2019s Improbable History\u201d: Ponce DeLeon;\u201d \u201cPeabody\u2019s Improbable History\u201d: Stanley and Livingstone;\u201d \u201cFractured Fairy Tale: Ridinghoods Anonymous.\u201d<\/p><\/blockquote>\n<p>This is one Golden Record that sets the gold standard. June Foray, Bill Scott, Paul Frees, Walter Tetley, five cartoon soundtracks, a witty script worthy of Ward and bouncy original songs arranged and conducted by one the show\u2019s musical staff that has the same tone as the series music\u2014and a brisk pace that matches the cartoon style! What more could a Jay Ward fan want?<\/p>\n<p><a href=\"http:\/\/cartoonresearch.com\/wp-content\/uploads\/2014\/03\/Rocky_and_His_Friends_45_rpm.png\" rel=\"prettyphoto[9334]\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/cartoonresearch.com\/wp-content\/uploads\/2014\/03\/Rocky_and_His_Friends_45_225.jpg\" alt=\"Rocky_and_His_Friends_45_225\" width=\"225\" height=\"258\" class=\"alignright size-full wp-image-9353\" srcset=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2014\/03\/Rocky_and_His_Friends_45_225.jpg 225w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2014\/03\/Rocky_and_His_Friends_45_225-130x150.jpg 130w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/a>If one were to quibble, none of the themes or music cues from the actual Ward library are included. Quibble noted. But it\u2019s not a stretch to assume that, for a Golden Record, this had to be relatively expensive. It was recorded in LA, used the actual voice actors, a small orchestra, etc. Add in travel and expenses and you get an album that had to cost much, much more than <em>Songs and Games of Fitness with Posture Pete<\/em>, which consisted of one narrator and a tiny circus calliope.<\/p>\n<p>New York songwriter Paul Parnes, whose music credits span over four decades and TV jingles include \u201cSnap, Crackle, Pop,\u201d is credited as writer, though the reflexive fourth-wall humor (\u201cAnd now, ten seconds of needle scratch\u2026\u201d) suggests that Scott and Ward did some tweaking. Parnes wrote songs and background music for a lot of early \u201860s Golden Records (included the highly recommended <em>Hans Christian Andersen\u2019s Fairy Tales<\/em> Narrated by Danny Kaye, which is on CD).<\/p>\n<p><strong>GIVE A LITTLE LISTEN<\/strong><br \/>\n<em>Peabody Medley<\/em><br \/>\nPeabody and Sherman have the lion\u2019s share of the Rocky and His Friends album, with three songs (heard here) and two stories. Paul Parnes songs for the Rocky album are catchy and cute, sounding very much like some of the tunes on Golden\u2019s \u201cstudio cast\u201d album, Songs of Yogi Bear. (If you\u2019ve heard \u201cCutie of the Cave Set,\u201d it\u2019s akin to Sherman\u2019s \u201cI Wanna Go Back.\u201d)<\/p>\n<p><iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/137827836&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_artwork=true\"><\/iframe><\/p>\n<hr style=\"color: #c00; background-color: #c00; height: 1px; border: none;\" \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/cartoonresearch.com\/wp-content\/uploads\/2014\/03\/FarnonLP-550.jpg\" alt=\"FarnonLP-550\" width=\"550\" height=\"568\" class=\"aligncenter size-full wp-image-9348\" srcset=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2014\/03\/FarnonLP-550.jpg 550w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2014\/03\/FarnonLP-550-290x300.jpg 290w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2014\/03\/FarnonLP-550-145x150.jpg 145w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\" \/>\n<p><\/p>\n<p><strong>THE ENCHANTED WOODS<\/strong><br \/>\n<em>The Dennis Farnon Orchestra<\/em><br \/>\nRCA Victor Records LPM-1897 (12\u201d 33 rpm \/ Mono \/ 1959)<\/p>\n<blockquote><p><strong>Producer:<\/strong> Dick Peirce. Recorded in Hollywood, May 9 and 22, 1958. Running Time: 44 minutes.<br \/>\n<strong>Songs:<\/strong> \u201cAmong My Souvenirs\u201d by Horatio Nicholls and Edgar Leslie; \u201cMoonlove\u201d by Andre Kostalanetz, Mack Davis and Mack David; \u201cCecelia\u201d by Harry Ruby and Dave Dreyer; Right As The Rain\u201d by Harold Arlen and E.Y. Harburg; \u201cFools Rush In\u201d by Johnny Mercer and Rube Bloom; The Lady is a Tramp\u201d by Richard Rodgers and Lorenz Hart; \u201cYou Are Too Beautiful\u201d by Richard Rodgers and Lorenz Hart; \u201cSnowfall\u201d by Claude Thornhill; \u201cWinter Wonderland\u201d by Felix Bernard and Richard Smith; \u201cIf You Had But a Dream\u201d by Nat Bonx, Moe Jaffe and Jack Fulton; \u201cI Hear a Rhapsody\u201d by George Fragos, Jack Baker and Dick Gasparre; \u201cDay by Day\u201d by Sammy Cahn, Axel Stordahl and Paul Weston.<\/p><\/blockquote>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/cartoonresearch.com\/wp-content\/uploads\/2014\/03\/farnon_1-250.jpg\" alt=\"farnon_1-250\" width=\"206\" height=\"359\" class=\"alignright size-full wp-image-9351\" srcset=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2014\/03\/farnon_1-250.jpg 206w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2014\/03\/farnon_1-250-172x300.jpg 172w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2014\/03\/farnon_1-250-86x150.jpg 86w\" sizes=\"auto, (max-width: 206px) 100vw, 206px\" \/>On the surface, this looks like a typical easy listening instrumental album of the Eisenhower\/Kennedy era. I found it at a thrift store, where hundreds await being purchased, like Corduroy the Bear waiting for someone to love him.<\/p>\n<p>This one is special, though. Not just because it\u2019s weird. So were a lot of lounge and exotica recording artists of the era. Martin Denny\u2019s records still creep me out, with all those squawking birds and screaming monkeys he played piano with. (Sorry Marty, that only works in the Tiki Room.)<\/p>\n<p>This album is significant because of its orchestra leader, Canadian-born Dennis Farnon, who did the music for Mister Magoo and other UPA cartoons (and the strange <em>Magoo in Hi-Fi<\/em> album) and for many of the quirky, discordant musical stabs and themes for Jay Ward cartoons (along with others like Fred Steiner, who also composed for Star Trek). This album was created shortly before his work for Jay Ward.<\/p>\n<p>Farnon is also linked to cartoons indirectly, two of his nieces being Shannon Farnon (voice of Wonder Woman on <em>Superfriends<\/em>) and Darleen Carr (\u201cThat Girl\u201d in <em>The Jungle Book<\/em>). His other niece is Charmian Carr, who played Liesl in 1965\u2019s <em>The Sound of Music<\/em>. His older brother Robert was also a renowned musical director and composer.<\/p>\n<p>The Enchanted Woods is also notable for Farnon\u2019s decision to use only woodwinds to showcase their versatility. While you\u2019ll hear percussion and rhythmic touches, it\u2019s all about the enchanted woodwinds, folks.<\/p>\n<p>Several of Farnon\u2019s other works found their way into movies and TV shows, including <em>Ren and Stimpy<\/em>. He also created library music for the BBC that was used for countless shows, including <em>Doctor Who<\/em>. A cool, quirky resum\u00e9 indeed!<\/p>\n<p><strong>GIVE A LITTLE LISTEN<\/strong><br \/>\n<em>\u201cWinter Wonderland\u201d<\/em><br \/>\nWhile most of The Enchanted Woods sounds like the music you hear when Samantha and either of the Darrins dine at an elegant restaurant, a few are deliciously Bullwinkley. Listen for the familiar discordant keys and other antics in this version of the seasonal that make this one of the strangest renditions on vinyl.<\/p>\n<p><iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/137828010&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_artwork=true\"><\/iframe><\/p>\n<hr style=\"color: #c00; background-color: #c00; height: 1px; border: none;\" \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/cartoonresearch.com\/wp-content\/uploads\/2014\/03\/Peabody_Sherman_Movie_Soundtrack.png\" alt=\"Peabody_Sherman_Movie_Soundtrack\" width=\"425\" height=\"404\" class=\"aligncenter size-full wp-image-9349\" srcset=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2014\/03\/Peabody_Sherman_Movie_Soundtrack.png 425w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2014\/03\/Peabody_Sherman_Movie_Soundtrack-300x285.png 300w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2014\/03\/Peabody_Sherman_Movie_Soundtrack-150x142.png 150w\" sizes=\"auto, (max-width: 425px) 100vw, 425px\" \/>\n<p><\/p>\n<p><strong>MR. PEABODY AND SHERMAN<\/strong><br \/>\n<em>Original Motion Picture Soundtrack<\/em><br \/>\nRelativity Music Group (CD and download)<\/p>\n<blockquote><p><strong>Album Released on March 3, 2014.<\/strong> Composer: Danny Elfman. Conductor: Rick Wentworth. Orchestrations: Steve Bartek, Edward Trybeck, John Ashton Thomas. Running Time: 51 minutes.<\/p><\/blockquote>\n<blockquote><p><strong>Instrumentals:<\/strong> \u201cMr. Peabody&#8217;s Prologue,\u201d \u201cReign of Terror!\u201d \u201cThe Drop Off,\u201d \u201cThe Dog Whistle,\u201d \u201cThe Cherry Tree,\u201d \u201cA Deep Regard,\u201d \u201cDinner Party,\u201d \u201cThe Petersons\/The Wabac Machine,\u201d \u201cAquarela Do Brasil,\u201d \u201cOff To Egypt,\u201d \u2018The Wedding Exodus,\u201d \u201cHammer-Time,\u201d \u201cThe Flying Machine,\u201d \u201cTrojan Horse,\u201d \u201cWar\/Disaster,\u201d \u201cHistory Mash-Up,\u201d \u201cI&#8217;m a Dog Too,\u201d \u201cFixing the Rip,\u201d \u201cBack To School,\u201d \u201cAquarela Do Brasil (Coda).\u201d<br \/>\n<strong>Pop Songs<\/strong>: \u201cWay Back When\u201d by Grizfolk; \u201cBeautiful Boy (Darling Boy)\u201d (2010 Remix) by John Lennon.<br \/>\n<strong>Excerpt<\/strong>: \u201cThe Amazing Mr. Peabody\u201d featuring Stephen Colbert.<\/p><\/blockquote>\n<p>Danny Elfman has come a long way from <em>Oingo Boingo<\/em>, as one of Hollywood\u2019s top composers, with peers like John Williams and Thomas Newman, and predecessors like Miklos Rozka and Alfred Newman.<\/p>\n<p>Elfman been the subject of a gentle ribbing for his \u201ctypical\u201d Tim Burton score (\u201cLa-la-la-la Too-Doo-Doo-Doo Deedle-Deedle!\u201d), but it\u2019s actually been a long time since <em>Beetlejuice<\/em> and, although one might expect Elfman to set his WABAC machine to the \u201890s to dial in the strange for<em> Mr. Peabody and Sherman<\/em>, for the most part this is a symphonic, largely exhilarating score that avoids the most obvious choices of so many recent comedy\/adventure scores. <\/p>\n<p>What I like about the album is the way the musicians were positioned to make maximum use of the stereophonic separation. With all the digital technology available today, there\u2019s still nothing like listening to those \u201cping-pong,\u201d \u201cultra high-fidelity,\u201d \u201cvisual sound,\u201d \u201cliving dimension,\u201d (Big arrow pointing left!)\u2014STEREO\u2014(Big arrow pointing right!) vinyl discs that so delighted the dinner guests of millions of real-life Rob and Laura Petries back in the days when hi-fi consoles were as big as Buicks. Listen to this <em>Peabody<\/em> soundtrack on headphones and you\u2019ll hear a wealth of call-and-response arrangements, with one instrument on the left playing, followed immediately with another on the right. Of course, Mr. Peabody either invented stereo or made it possible for the person who did invent it.<\/p>\n<p>This effect, which is surprisingly uncommon on contemporary soundtrack albums, cannot be simply an element of the movie that just happens to be on the album, because such a subtle effect is not as noticeable when watching the movie with dialogue and sound effects in a theatre or a home system. While I\u2019m sure it creates a more subconscious effect for the film, I like to think it was a little treat for those of us with headphones.<\/p>\n<p>There are two pop songs included on the album. One is John Lennon\u2019s classic, \u201c<em>Beautiful Boy<\/em>,\u201d which gave us the line \u201cLife is what happens to you while you\u2019re busy making other plans.\u201d The other is \u201c<em>Way Back When<\/em>\u201d by Grizfolk, whose music is described on <a href=\"http:\/\/www.windishagency.com\/artists\/grizfolk\">their agency site<\/a> as \u201cwhere folklore meets four-on-the-floor; where tumbleweeds meet turntables.\u201d<\/p>\n<p><strong>GIVE A LITTLE LISTEN<\/strong><br \/>\n<em>\u201cThe Amazing Mr. Peabody\u201d<\/em><br \/>\nThis is the goofiest track on the album, with Stephen Colbert as Paul Peterson (a little nod to The Donna Reed Show?). I love the score, but it sure would be nice to also have dialogue sequences. I miss the days when all the animation studios produced dialogue story albums and even the shorter read-alongs that only Disney seems to do anymore. Then I\u2019d buy both versions.<\/p>\n<p><iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/137828373&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_artwork=true\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Last time you remember, our heroes Rocky and Bullwinkle were cutting an original cast record! But little did they know that their composer had also made a record, and that&#8230;<\/p>\n","protected":false},"author":38,"featured_media":9335,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[469],"tags":[703,160,396],"class_list":["post-9334","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-spin","tag-dennis-farnon","tag-jay-ward","tag-mr-peabody"],"_links":{"self":[{"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/posts\/9334","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/users\/38"}],"replies":[{"embeddable":true,"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/comments?post=9334"}],"version-history":[{"count":1,"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/posts\/9334\/revisions"}],"predecessor-version":[{"id":56400,"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/posts\/9334\/revisions\/56400"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/media\/9335"}],"wp:attachment":[{"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/media?parent=9334"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/categories?post=9334"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/tags?post=9334"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}