{"id":77342,"date":"2023-01-17T00:01:27","date_gmt":"2023-01-17T08:01:27","guid":{"rendered":"https:\/\/cartoonresearch.com\/?p=77342"},"modified":"2023-01-17T00:10:41","modified_gmt":"2023-01-17T08:10:41","slug":"max-and-dave-1940-42-antics-gabby-and-something-super","status":"publish","type":"post","link":"https:\/\/cartoonresearch.com\/index.php\/max-and-dave-1940-42-antics-gabby-and-something-super\/","title":{"rendered":"Max and Dave: 1940-42: Antics, Gabby, and Something Super"},"content":{"rendered":"<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2023\/01\/ANIMATED-ANTICS-600.jpg\" alt=\"\" width=\"600\" height=\"424\" class=\"aligncenter size-full wp-image-77348\" srcset=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2023\/01\/ANIMATED-ANTICS-600.jpg 600w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2023\/01\/ANIMATED-ANTICS-600-300x212.jpg 300w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2023\/01\/ANIMATED-ANTICS-600-150x106.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/>\n<p>\n<p>The 1939-40 season had not been especially good for the Flesichers.  The <em>Stone Age<\/em> cartoons were not been particularly successful, and were not renewed for the following seasdon.  So Max, Dave, and the boys submitted ideas for two new series &#8211; a Technicolor series of cartoons featuring Gabby, the town crier from <em>Gulliver\u2019s Travels<\/em>, and the \u201cAnimated Antics\u201d, a series of one-shot cartoons filmed in black and white (perhaps capable of being considered the predecessors to the \u201cNoveltoons\u201d of Famous which would follow).  The latter series would also allow an excuse for attempts at launches for additional characters from <em>Gulliver\u2019s Travels<\/em> &#8211; Sneak Snoop, and Snitch (the three spies from Blefescu), and Twinkletoes (their carrier pigeon), who would star under their own names tn several episodes.  <\/p>\n<p><a href=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2023\/01\/Dandy-Lion.jpg\" rel=\"prettyphoto[77342]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2023\/01\/Dandy-Lion-197x300.jpg\" alt=\"\" width=\"197\" height=\"300\" class=\"alignright size-medium wp-image-77349\" srcset=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2023\/01\/Dandy-Lion-197x300.jpg 197w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2023\/01\/Dandy-Lion-98x150.jpg 98w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2023\/01\/Dandy-Lion.jpg 393w\" sizes=\"auto, (max-width: 197px) 100vw, 197px\" \/><\/a><strong>The Dandy Lion<\/strong> (9\/20\/40) &#8211; This cartoon is set among the native Americans, its title character being a mountain lion cub, who follows a little boy home.  When the boy introduces the cub to his mother, she runs away in fright, then arrows fly everywhere.  Still determined to adopt the cub, the boy disguises the cat as a dog.  Unfortunately, gag material is not the most memorable.  <strong>Songs:<\/strong> \u201cOh Where, Oh Where Has My Little Dog Gone\u201d. and \u201cBig Chief Ugh Amugh Ugh\u201d, borrowed from the Popeye film of the same title.  <\/p>\n<hr style=\"color: #000; background-color: #000; height: 2px; border: none;\" \/>\n<p><strong>Sneak, Snoop, and Snitch<\/strong> (10\/25\/40) &#8211; The three spies have gotten into the palace, and discover King Little trying to protect a small box.  The spies eventually snatch the box, but have trouble in finding a key.  Snitch (the little one) takes most of the brunt of his partners\u2019 efforts, and after many misadventures, they finally are able to look inside to find what treasure awaits within &#8211; a Junior G-Man Badge.   <strong>Songs:<\/strong> \u201cChopsticks\u201d, a simple piano piece that was extremely well known even in 1940.  It was the only published composition of British composer Euphemia Allen (under the pen name Arthur de Lilli)., who penned it as \u201cThe Celebrated Chop Waltz\u201d in 1877.  The best-known recording of it would come many years later, in a bravura performance with unique embellishments by Liberace on Columbia.  It would also have an odd adaptation as a seasonal song with lyrics, entitled \u201cChristmas Chopsticks&#8221;, recorded by Mel Blanc on Capitol (embed below), and by Guy Lombardo on Decca.  It would also be covered by Peter Pan Records for the children\u2019s market in this holiday form.  <\/p>\n<p><center><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/29Vvg9Ao-JA\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/center><\/p>\n<p>\n<hr style=\"color: #000; background-color: #000; height: 2px; border: none;\" \/>\n<p><strong>Mommy Loves Puppy<\/strong> (11\/6\/40) &#8211; The viewer can be excused if upon seeing this cartoon, he thinks of it as Hunky and Spunky with fur.  Mommy and her child are both St. Bernards, each with their own brandy barrel.  The child wants to go with Mommy on her appointed rounds, but she barks orders him to go home.  The child, on his return trip, encounters a walrus who is not sleeping very well.  Inebriation ensues, as the walrus learns that the brandy is pretty good stuff. <strong>Songs:<\/strong> \u201cHow Dry I Am\u201d, a motif which can be traced back to a bass figure in a Beethoven Sonata.  <\/p>\n<p><center><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/nzHKlV0-5gw\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/center><\/p>\n<p>\n<hr style=\"color: #000; background-color: #000; height: 2px; border: none;\" \/>\n<p><strong>The Wizard of Arts<\/strong> (8\/8\/41) &#8211; Considered one of the weakest of all the Fleischer shorts, its essentially a plotless spot gag cartoon about the unveiling of various paintings and statues, with \u201cpunny\u201d titles to accompany the visuals of each creation.  (\u201cParadise\u201d illustrated as a pair of dice, etc.).  <strong>Songs<\/strong> include a bunch of old favorites, including \u201cZampa Overture\u201d, \u201cthanks For the Memory\u201d. Ten Little Indians\u201d, \u201cBlumenlied\u201d, and \u201cHome Sweet Home\u201d.  <\/p>\n<p><center><iframe loading=\"lazy\" width=\"500\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/oxumY6tPmbY\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/center><\/p>\n<p>\n<p><strong>Copy Cat<\/strong> (9\/18\/41) &#8211; A kitten is following a larger cat on a fence, trying to copy his every move, much to the annoyance of the larger cat.  A tough guy mouse also taunts the small cat with a repeated six-note phrases on \u201cNyah nyah nyah nyah NYAAAH nyaaah\u201d.  The little cat eventually gets bopped on the nogging by a trap of the mouse, to the big cat\u2019s appreciation.  An original song using the cartoon\u2019s title is performed by the big cat at the beginning of the picture, attempting to get the little one to leave him alone.<\/p>\n<hr style=\"color: #000; background-color: #000; height: 4px; border: none;\" \/>\n<p>The Gabby series was not known for any broad degree of outside song material, mostly scored upon variations of themes from <em>Gulliver\u2019s Travels<\/em>, including titles directly culled from such songs, like \u201cAll\u2019s Well\u201d and \u201cIt\u2019s a Hap-Hap-Happy Day\u201d. \u201cThe Constable\u201d features a deleted instrumental theme that was intended as a number for Sneak, Snoop, and Snitch in the original feature, also previously appearing in the titles and underscore of \u201cThe Fresh Vegetable Mystery\u201d.  One episode, <strong>Fire Cheese<\/strong> (5\/26\/41), borrowed from the light classics.<\/p>\n<p>Plotwise, it is a typical Gabby installment, in which he brags of his prowess in fighting fires to the local engine company, then has to prove himself when a real blaze erupts.  Taking over the Chief\u2019s position when Gabby causes his own hat to get stuck upon the Chief\u2019s head, Gabby performs in his usual inept manner, with the fire finally going out only when it runs out of building to burn.  For his \u201cheroic\u201d efforts, Gabby receives a drenching atop the spray of the company\u2019s fire hoses.  <\/p>\n<p><center><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/hFZpwYiraLs\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/center><\/p>\n<p>\n<p>The score makes heavy use of \u201cThe Merry Wives of Windsor\u201d Overture by Nicolai.  The opera was based upon the Shakespeare play, and was first performed in 1849.  Arthur Pryor\u2019s Band recorded an early 12&#8243; version for Victor.   The Victor Symphony Orchestra recorded it acoustically for Victor around 1912.  Another version, shortened to only about two minutes, appeared anonymously on an acoustic \u201cLittle Marvel\u201d record in England.  The BBC Symphony Orchestra followed with an electrical version on Victor red seal.  Sir Thomas Beecham and the London Philharmonic recorded it for Columbia in England, also issued on the Masterworks series here.  Josef Krips and the Philharmonia Orchestra also performed it on a European Columbia.  Sir Henry J. Wood and the Queen\u2019s Hall Orchestra also performed it for British Columbia.  The Boston Pops would eventually get their hands on it for Victor red seal.  <\/p>\n<hr style=\"color: #000; background-color: #000; height: 4px; border: none;\" \/>\n<p><a href=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2023\/01\/Superman-Terror-Midway.jpg\" rel=\"prettyphoto[77342]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2023\/01\/Superman-Terror-Midway-300x261.jpg\" alt=\"\" width=\"300\" height=\"261\" class=\"alignright size-medium wp-image-77354\" srcset=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2023\/01\/Superman-Terror-Midway-300x261.jpg 300w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2023\/01\/Superman-Terror-Midway-150x130.jpg 150w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2023\/01\/Superman-Terror-Midway-100x87.jpg 100w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2023\/01\/Superman-Terror-Midway.jpg 599w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>One Superman cartoon, the last produced by Fleischer Studios before it was shut down, features some recognizable music, besides the Superman March penned by Sammy Timberg for the initial episode of the series. <strong>Terror of the Midway<\/strong> (8\/30\/42) finds Lois and Clark assigned to the low-profile story of the opening of the circus in town.  However, the event becomes front page news when a huge gorilla escapes its cage, releases several of the big cats, and sets the big top on fire.  A job for Superman indeed.  <\/p>\n<p><strong>Songs:<\/strong> \u201cYip-i-Addy-i-Ay\u201d, a number going back to approximately 1906.  Recorded versions included Yolande Noble and Harry Gay on acoustic Columbia. A medley by the Victor Military Band also includes it.  Collins and Harlan had a strong performance on Victor.  George Grossmith Jr. performed on British Jumbo (also acoustic).  Jack Kaufman recorded a version on Cameo and Romeo in 1928.  It was briefly included in an all-star demonstration record, \u201cStudio Stunts (side 2)\u201d, on Columbia in 1926, performed by the Cavaliers and the Shannon Quartet.  The Piccadilly Accordeon Band recorded it circa 1933 as a cigarette premium disc on the little-known Mayfair label in England (picked up on Decca in the USA as \u201cBritannica Accordion Band\u201d.  Guy Lombardo cut it for Decca in the 1940&#8217;s.  A swing adaptation (dropping the verse) appears on an aircheck from a Bing Crosby show, performed by Mary Martin.  A few bars also sneak into the cartoon\u2019s score from Fleischer\u2019s old chestnut, \u201cSing You Sinners\u201d, as well as use of Franz Schubert\u2019s \u201cMarche Militaire No. 1&#8243; in the circus parade.<\/p>\n<p><center><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/i0t4PH3MzvE\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/center><\/p>\n<p>\n<p><strong>Next Time<\/strong>: Two reelers, and the first of Famous\u2019s <em>Noveltoons<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In 1940, a color series featuring Gabby from Gulliver\u2019s Travels, and a bunch of lackluster one-shot cartoons filmed in black and white.<\/p>\n","protected":false},"author":41,"featured_media":77357,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1762],"tags":[20],"class_list":["post-77342","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-needle-drop-notes","tag-max-fleischer"],"_links":{"self":[{"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/posts\/77342","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/users\/41"}],"replies":[{"embeddable":true,"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/comments?post=77342"}],"version-history":[{"count":3,"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/posts\/77342\/revisions"}],"predecessor-version":[{"id":77358,"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/posts\/77342\/revisions\/77358"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/media\/77357"}],"wp:attachment":[{"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/media?parent=77342"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/categories?post=77342"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/tags?post=77342"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}