{"id":65703,"date":"2021-06-15T00:01:33","date_gmt":"2021-06-15T07:01:33","guid":{"rendered":"https:\/\/cartoonresearch.com\/?p=65703"},"modified":"2021-06-15T06:41:13","modified_gmt":"2021-06-15T13:41:13","slug":"max-and-dave-screen-songs-1929-30-what-crash","status":"publish","type":"post","link":"https:\/\/cartoonresearch.com\/index.php\/max-and-dave-screen-songs-1929-30-what-crash\/","title":{"rendered":"Max and Dave: Screen Songs 1929-30: What Crash?"},"content":{"rendered":"<p>We don\u2019t know if Max and Dave Fleischer gambled in the stock market, as so many in show business had done.  If they didn\u2019t, that was a good thing for them, as they didn\u2019t have to go bare-chested after having lost their shirts.  But the deal with Paramount remained a good thing for them, providing a regular outlet for their releases. Paramount further followed through with the promotional budgets, putting ads in all the trade papers, etc.  Nobody knew at this juncture how deep the depression would get &#8211; or that they were even in a depression &#8211; but they knew the market had dropped from its previous peak in September of 1929.  In keeping spirits up, the <em>Screen Songs<\/em> continued, and the ball kept bouncing.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2021\/06\/beautiful_doll.jpg\" alt=\"\" width=\"175\" height=\"131\" class=\"alignright size-full wp-image-65717\" srcset=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2021\/06\/beautiful_doll.jpg 175w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2021\/06\/beautiful_doll-150x112.jpg 150w\" sizes=\"auto, (max-width: 175px) 100vw, 175px\" \/><strong>Oh, You Beautiful Doll<\/strong> (10\/24\/29) &#8211; A cat is trying to tidy up a music store, with no help from a nervy mouse.  A female customer comes in, and the cat sees opportunity for \u201cBusiness &#8211; Monkey Business\u201d.  He gets flirtatious with her to the title tune, while the mouse is throwing things at his noggin.  Billy Murray recites the alter call, encourging the audience to sing along, but does not join in the singing.  The first chorus is presented entirely instrumentally, then there are the usual second chorus gags, as well as an ending gag involving a large Swiss cheese, which does not last long as a horde of mice go after it.  The title song is from 1912, recorded by Billy Murray and the American Quartet on Victor and Edison.  In the 1940&#8217;s the tune was adapted by Chuck Foster\u2019s Orchestra as his theme song, likely appearing only on airchecks and transcriptions.  In 1958, the tune was rocked up by \u201cIvan\u201d (really Jerry Ivan Allison), a back-up guitarist from Buddy Holly\u2019s group (with Buddy also playing guitar on the record). <\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2021\/06\/Beautiful-Doll-song.jpg\" alt=\"\" width=\"250\" height=\"182\" class=\"alignleft size-full wp-image-65722\" srcset=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2021\/06\/Beautiful-Doll-song.jpg 250w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2021\/06\/Beautiful-Doll-song-150x109.jpg 150w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/>Several additional songs appear in the score of the cartoon, including \u201cBy the Beautiful Sea\u201d (a 1914 song, revived in 1948 by Spike Jones for Victor), \u201cThe Cat\u201d (a song penned by Isham Jones, recorded by him for Brunswick, and by the California Ramblers on Edison), \u201cThe Whisper Song (When the Pussy Willows Whispers to the Catnip)\u201d, recorded by Art Landry on Victor, and a vocal version by the California Humming Birds on Victor), and \u201cI Miss My Swiss\u201d, most notably performed by the Happiness Boys on Victor and Columbia, with dance versions by Paul Whiteman on Victor, Carl Fenton on Brunswick, Ted Lewis on Columbia, the California Ramblers on the dime-store labels, and the Southern Serenaders (a Sam Lanin group including several Fletcher Henderson musicians including Louis Armstrong) on Harmony.<\/p>\n<p><center><iframe loading=\"lazy\" src=\"https:\/\/archive.org\/embed\/1929FleischerScreenSongOhYouBeautifulDoll\" width=\"600\" height=\"315\" frameborder=\"0\" webkitallowfullscreen=\"true\" mozallowfullscreen=\"true\" allowfullscreen><\/iframe><\/center><\/p>\n<p>\n<hr style=\"color: #000000; background-color: #000000; height: 2px; border: none;\" \/>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2021\/06\/after-the-ball.jpg\" alt=\"\" width=\"300\" height=\"169\" class=\"alignright size-full wp-image-65710\" srcset=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2021\/06\/after-the-ball.jpg 300w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2021\/06\/after-the-ball-150x85.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><strong>After the Ball<\/strong> (11\/8\/29) &#8211; No real plot.  Gags about the writinng of the song, with a dog that looks a great deal like Fitz.  \u201cAuld Lang Syne\u201d also makes an appearance in the score, as the film centers somewhat around nostalgia.  The title tune goes back to 1892.  A recording exists from shortly therefter  by George J. Gaskin (boy tenor)  &#8211; company is unknown as an announcement does not appear on accessible copies of the recording.  In 1925 it was recorded electrically by the International Novelty Orchestra, with vocal by Henry Burr, for Victor.  Ian Whitcomb would revive it on LP among other nostalgic fare in the 1970&#8217;s.  The song is often thought of as Tin Pan Alley\u2019s first hit &#8211; the first tune to sell over a million copies on sheet music. Here&#8217;s the composer himself, Charles K. Harris, singing the song in 1930:<\/p>\n<p><center><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/zIXGlQdTDKY\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/center><\/p>\n<p>\n<hr style=\"color: #000000; background-color: #000000; height: 2px; border: none;\" \/>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2021\/06\/Old-Grey-Bonnet-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" class=\"alignright size-medium wp-image-65711\" srcset=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2021\/06\/Old-Grey-Bonnet-300x225.jpg 300w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2021\/06\/Old-Grey-Bonnet-150x113.jpg 150w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2021\/06\/Old-Grey-Bonnet.jpg 480w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><strong>Put On Your Old Grey Bonnet<\/strong> (11\/22\/29) &#8211; A village orchestra gets ready to rehearse, including a flautist who cuts off a piece of his flute and converts it to a piccolo, and a saxophonist having trouble with one of the holes on his instrument, which doesn\u2019t want to stay in place.  He somehow winds up playing a \u201cJew\u2019s\u201d harp.  Recorded versions included the Haydn Quartet on Victor, Arthur Cliugh on Columbia (a high counter-tenor), Helen Clark and Joseph A. Phillips on Edison Diamond Disc, Glen Gray and the Casa Loma Orchestra on both Okeh and Brunswick, the Mills Brothers on Brunswick, the Dixie Ramblers on Bluebird (a Cajun string band performing for non-Cajun audiences), Milton Brown and his Brownies on Decca, Jimmie Lunceford on Decca, Ozzie Nelson (<em>below<\/em>) on Vocalion, the Sweet Violet Boys (aka the Prairie Ramblers) on Vocalion (with some parody lyrics about wearing a red bonnet in the vicinity of a bull), and much later, the Mulcays (harmonica duo) on MGM. <\/p>\n<p><center><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/1H1kgi4FL_k?start=147\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/center><\/p>\n<p>\n<hr style=\"color: #000000; background-color: #000000; height: 2px; border: none;\" \/>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2021\/06\/rings-on-my-fingers.jpg\" alt=\"\" width=\"250\" height=\"188\" class=\"alignright size-full wp-image-65714\" srcset=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2021\/06\/rings-on-my-fingers.jpg 250w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2021\/06\/rings-on-my-fingers-150x113.jpg 150w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><strong>I\u2019ve Got Rings on My Fingers<\/strong> (12\/28\/29) &#8211; A traffic cop tries to direct traffic among passing airplanes and flocks of birds.  He winds up getting stranded on a remote island.  The score is loaded with snatches of incidental numbers, including \u201cBye Bye Blackbird\u201d (recorded by George Olsen on Victor, Bennie Krueger on Brunswick, and Leo Reisman on Columbia, and vocal versions by Nick Lucas on Brunswick and Gene Austin on Victor), as a flock of such species is directed by the cop;  \u201cCome Take a Trip In My Airship\u201d appears again;  \u201cHe Walked Right In, Turned Around, and Walked Right Out Again\u201d (recorded by Eddie Morton on Victor); \u201cMean To Me\u201d (by Leo Reisman on Victor, Ted Wallace and his Campus Boys on Columbia, Ben Bernie on Brunswick, and vocals by Ruth Etting on Columbia, and Chester Gaylord on Brunswick; \u201cI\u2019m Wild About Horns on Automobiles\u201d (recorded by Eddie Cantor on Victor, Billy Murray on Edison, and a dance version by Billy Hays on Victor); \u201cLet It Rain, Let It Pour (I\u2019ll Be in Virginia In the Morning)\u201d (recorded by Meyer Davis\u2019 Le Paradis Band on one of the earliest Victor electricals with Billy Murray on vocal refrain, The Columbians on Columbia in another very early electrical, and as a vocal by Charlie Wellman on Brunswick). <\/p>\n<p><center><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/_jY_b48hqfQ?start=147\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/center><\/p>\n<p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2021\/06\/Rings-Fingers-cop.jpg\" alt=\"\" width=\"250\" height=\"183\" class=\"alignleft size-full wp-image-65723\" srcset=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2021\/06\/Rings-Fingers-cop.jpg 250w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2021\/06\/Rings-Fingers-cop-150x110.jpg 150w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/>Also \u201cMy Bonnie Lies Over the Ocean\u201d; \u201cI\u2019ve Got a Feeling I\u2019m Falling\u201d (recorded in a brilliant recording by Nat Shilkret and the Victor Orchestra with Jesse Crawford on Victor, Ted Wallace and his Campus Boys on Brunswick, Ben Bernie on Brunswick, and a vocal version on Victor by Gene Austin); \u201cI Fall Down and Go Boom\u201d (covered by George Olsen on Victor, Charles Fulcher on Columbia, and vocals by Vaughn DeLeath on Okeh, Eddie Cantor on Victor, and Annette Hanshaw (anonymously as \u201cDot Dare\u201d), doing a Helen Kane impression on Harmony), \u201cGary Owen\u201d; \u201cA Hot Time In the Old Town Tonight\u201d; \u201cYes, We Have No Bananas\u201d (a 1923 song by the Great White Way Orchestra on Victor, the Original Memphis Five on Columbia, and revived by Spike Jones in the 1940&#8217;s for Victor);, and \u201cWhar\u2019s the Matter With Father\u201d.  Finally, the title song was introduced by Blanche Ring in a Broadway show, and recorded by her on Victor, first as a black seal, then reissued in the higher-priced purple seal label.  Ada Jones got it for Columbia and on Albany Indestructible Cylinders. Harry Fay recorded it in England for Zonophone.  There was a revival in the early 40&#8217;s by Dick Kuhn on blue Decca.<\/p>\n<p><center><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/9h8CTseoWIM?start=147\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/center><\/p>\n<p>\n<hr style=\"color: #000000; background-color: #000000; height: 2px; border: none;\" \/>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2021\/06\/Bedelia-250.jpg\" alt=\"\" width=\"250\" height=\"188\" class=\"alignright size-full wp-image-65725\" srcset=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2021\/06\/Bedelia-250.jpg 250w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2021\/06\/Bedelia-250-150x113.jpg 150w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><strong>Bedelia<\/strong> (1\/3\/30) &#8211; A character goes in his car to visit his girlfriend, but finds her asleep.  The date doesn\u2019t go as planned, and he winds up with a flower pot on his head.  Underscore inclides \u201cDo I Know What I\u2019m Doing?\u201d (recorded by Ethel Waters for Columbia);  \u201cPlease Let Me Sleep\u201d (an oldie from 1902, used quite frequently in cartoons, such as in the stork sequence from Mickey Mouse\u2019s \u201cClock Cleaners\u201d &#8211; no recording seems to turn up except a modern-day web performance by \u201cSheet Music Singer\u201d); \u201cOh, How I Hate To Get Up In the Morning\u201d; \u201cComin\u2019 Thru the Rye\u201d; \u201cOld Black Joe\u201d; and \u201cWhat Wouldn\u2019t I Do For That Man\u201d (performed by the Charleston Chasers with Benny Goodman on Columbia, and as a vocal record by Helen Morgan on Victor &#8211; a torch singer familiar in parody to anyone who\u2019s seen the ending of Warner\u2019s \u201cThe Coo Coo Nut Grove\u201d).  \u201cBedelia\u201d was from 1903, recorded by Billy Murray for Edison cylinder, the Haydn Quartet for Victor, and Arthur Collins for Monarch.  Sousa\u2019s Band would record a sort of \u201ctheme and variation\u201d spoof in multiple tempos as \u201cA Musical Joke on Bedelia\u201d for Victor.  Jan Garber recorded it on Okeh in the early 1940&#8217;s.  James Moody later dredged it up for Blue Note as a sax instrumental.  The song\u2019s lyric also makes a reference to singer\/composer Chauncy Olcott, who recorded a number of Irish standards during 1913-1920, and was the composer of \u201cMy Wild Irish Rose.\u201d<\/p>\n<p><center><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Nla1yjrWDvc?start=147\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/center><\/p>\n<p>\n<hr style=\"color: #000000; background-color: #000000; height: 2px; border: none;\" \/>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2021\/06\/shade-of-old-apple-tree.jpg\" alt=\"\" width=\"250\" height=\"188\" class=\"alignright size-full wp-image-65715\" srcset=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2021\/06\/shade-of-old-apple-tree.jpg 250w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2021\/06\/shade-of-old-apple-tree-150x113.jpg 150w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><strong>In the Shade of the Old Apple Tree<\/strong> (1\/16\/30) &#8211; Gentle gags with a couple spooning under the shade of the arboreal title genus.  The title song dates from 1902.  Harry Macdonoigh and the Haydyn Quartet recorded it for Victor, while Billy Murray got to perform \u201cA Parody On\u201d for the same label.  Henry Burr would also issue a Victor version a few years later.  The Old Smokey Twins would give out a country version in the 1920&#8217;s on Paramount.  Duke Ellington modernized it on Brunswick in the 30&#8217;s.  Louis Armstrong (<em>below<\/em>) and the Mills Brothers swung it in the 1930&#8217;s for Decca   Claude Hopkins also recorded it for Decca.  Benny Goodman had a band book arrangement recorded live on an aircheck, sounding like a Fletcher Henderson chart.  Maurice Rocco and his Rockin\u2019 Rhythm would giive it a 40&#8217;s feel for Musicraft.<\/p>\n<p><center><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/K56gqXma6aE?start=147\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/center><\/p>\n<p>\n<hr style=\"color: #000000; background-color: #000000; height: 2px; border: none;\" \/>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2021\/06\/Afraid-to-go-home.jpg\" alt=\"\" width=\"262\" height=\"192\" class=\"alignright size-full wp-image-65716\" srcset=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2021\/06\/Afraid-to-go-home.jpg 262w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2021\/06\/Afraid-to-go-home-150x110.jpg 150w\" sizes=\"auto, (max-width: 262px) 100vw, 262px\" \/><strong>I&#8217;m Afraid To Come Home In the Dark<\/strong> (2\/1\/30) &#8211; A proto-Binbo sneaks out of a bar in the wee small hours and engages in a fight with his own shadow.  The title song was issued by Billy Murray for Victor and Columbia.  Victor would issue a second version by Clarice Vance.  Collins and Harlan would record a cylinder version (label unknown).  Bob Roberts cut it for Indestructible Cylinder, Military Band versions included Prince\u2019s Band on Columbia, and the New York Military Band on Edison.<\/p>\n<p><center><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/8APpv3wqA7c?start=147\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/center><\/p>\n<p>\n<hr style=\"color: #000000; background-color: #000000; height: 2px; border: none;\" \/>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2021\/06\/Prisoners-Song.jpg\" alt=\"\" width=\"250\" height=\"183\" class=\"alignleft size-full wp-image-65718\" srcset=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2021\/06\/Prisoners-Song.jpg 250w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2021\/06\/Prisoners-Song-150x110.jpg 150w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><strong>The Prisoner\u2019s Song<\/strong> (3\/1\/30) &#8211; Spot gags on prison life, concentrating on the old rock pile.  No songs appear other than the title tune, except for a musical counter-melody appearing at the opening of the film, which sort of sounds like the Anvil Chorus played sideways.  The title song was recorded for everybody and his brother by Vernon Dalhart, recorded for Victor, Brunswick, Edison, Okeh (as \u201cTobe Little\u201d), and a host of other minor labels.  It was also recorded as a waltz by the International Novelty Orchestra on Victor, and by Ross Gorman and his Earl Carroll Vanities Orchestra on Columbia (still with Vernon Dalhart singing!).  The song became a standard in country music, and would be revived over the years by various singers, including Hank Snow (RCA), and was even referred to in one song, \u201cFor No Good Reason at All\u201d, by Cliff Edwards of Perfect\/Pathe.  There was also a concert version recorded by Reinald Werrenwrath for red seal Victor.  Bunny Berigan also recorded a 12&#8243; extended-length swing version for Victor (part of the \u201cFive Feet of Swing\u201d set, coupled as the flip side of Berigan\u2019s biggeast hit, \u201cI Can\u2019t Get Started\u201d).<\/p>\n<p><center><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/N5w_lhg6qJU?start=147\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/center><\/p>\n<p>\n<p><strong>Next Time:<\/strong> More Screen Songs from 1930.  Then, we will approach the Talkartoons.  <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nobody knew how deep the depression would get &#8211; but in keeping spirits up, the Screen Songs continued and the ball kept bouncing.<\/p>\n","protected":false},"author":41,"featured_media":65721,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1762],"tags":[20],"class_list":["post-65703","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-needle-drop-notes","tag-max-fleischer"],"_links":{"self":[{"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/posts\/65703","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/users\/41"}],"replies":[{"embeddable":true,"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/comments?post=65703"}],"version-history":[{"count":4,"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/posts\/65703\/revisions"}],"predecessor-version":[{"id":65732,"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/posts\/65703\/revisions\/65732"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/media\/65721"}],"wp:attachment":[{"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/media?parent=65703"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/categories?post=65703"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/tags?post=65703"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}