{"id":44327,"date":"2018-10-29T00:01:13","date_gmt":"2018-10-29T07:01:13","guid":{"rendered":"http:\/\/cartoonresearch.com\/?p=44327"},"modified":"2018-10-29T07:29:01","modified_gmt":"2018-10-29T14:29:01","slug":"the-exposure-sheet-vols-15-16","status":"publish","type":"post","link":"https:\/\/cartoonresearch.com\/index.php\/the-exposure-sheet-vols-15-16\/","title":{"rendered":"The Exposure Sheet \u2013 Vols #15 & #16"},"content":{"rendered":"
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A rare black & white publicity still photo featuring several cels and an impressive background from Jones forthcoming film THE MIGHTY HUNTERS, based on Jimmy Swinnerton’s Canyon Kiddies.<\/p><\/div>\n

Late August through mid-September 1939 at the Leon Schlesinger studio. Production on The Mighty Hunters<\/em> (aka Canyon Kiddies<\/em>) has the studio excited. As does Friz Freleng’s You Ought To Be In Pictures<\/em> which is shooting this month with apparently Bugs Hardaway reluctantly playing the cop (soon replaced by Michael Maltese). <\/p>\n

John McGrew moves over to Jones’ unit to do color sketches and layouts (Art Loomer and Al Tarter do Chuck’s backgrounds; Bob Holdeman does layouts for Freleng’s unit backgrounds, with Griff Jay and Peter Gaenger doing the paintings. Among the other good stuff here in issue #15 are bios of animators Tex Avery and Harold Soldinger and painters Mary Lane and Sue Gee. <\/p>\n\"\"<\/a>\"\"<\/a>\"\"<\/a>\"\"<\/a>\"\"<\/a>\"\"<\/a>\"\"<\/a>\"\"<\/a>\n

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PORKY’S HOTEL was released on September 2nd – during the period of these two newsletters.<\/p><\/div>\n

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By mid-September, Chuck Jones’ Little Brother Rat<\/em> was deemed a “hit” after getting big laughs on Hollywood Blvd. Bio’s here include sound man Treg Brown, assistant Tolly Kirsanoff, painter Dixie Mankameyer and receptionist Virginia Ginger Morgan. <\/p>\n\"\"<\/a>\"\"<\/a>\"\"<\/a>\"\"<\/a>\"\"<\/a>\"\"<\/a>\n","protected":false},"excerpt":{"rendered":"

Late August through mid-September 1939 at the Leon Schlesinger studio as production on The Mighty Hunters (aka Canyon Kiddies) has the studio excited.<\/p>\n","protected":false},"author":39,"featured_media":44351,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,116],"tags":[69,51],"class_list":["post-44327","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-history","category-the-exposure-sheet","tag-leon-schlesinger","tag-warner-bros-cartoons"],"_links":{"self":[{"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/posts\/44327","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/users\/39"}],"replies":[{"embeddable":true,"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/comments?post=44327"}],"version-history":[{"count":4,"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/posts\/44327\/revisions"}],"predecessor-version":[{"id":44387,"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/posts\/44327\/revisions\/44387"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/media\/44351"}],"wp:attachment":[{"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/media?parent=44327"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/categories?post=44327"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cartoonresearch.com\/index.php\/wp-json\/wp\/v2\/tags?post=44327"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}