{"id":22096,"date":"2015-11-13T00:01:00","date_gmt":"2015-11-13T08:01:00","guid":{"rendered":"http:\/\/cartoonresearch.com\/?p=22096"},"modified":"2015-11-11T17:05:51","modified_gmt":"2015-11-12T01:05:51","slug":"animation-anecdotes-237","status":"publish","type":"post","link":"https:\/\/cartoonresearch.com\/index.php\/animation-anecdotes-237\/","title":{"rendered":"Animation Anecdotes #237"},"content":{"rendered":"

\"the-cat-concerto-movie-poster-1947-1020198053\"<\/a>Who\u2019s First?<\/strong> Rhapsody Rabbit<\/em> was released November 9, 1946 by Warner Brothers and features concert pianist Bugs Bunny\u2019s challenges as he tries to perform Franz Liszt\u2019s Hungarian Rhapsody No. 2 on a grand piano while being harassed by a mouse. <\/p>\n

The Cat Concerto<\/em> was released April 26, 1947 by MGM and features concert pianist Tom the Cat\u2019s challenges as he tries to perform Franz Liszt\u2019s Hungarian Rhapsody No. 2 on a grand piano while being harassed by Jerry the Mouse.<\/p>\n

Pianist Jakob Gimpel, according to his son Peter, did not want to be known as \u201cthe guy who played piano for Bugs Bunny\u201d so he is not credited on the Warners\u2019 cartoon. According to Jakob Gimpel\u2019s daybook there is a listing that states: \u201cThursday, January 31, 1946, at 8:00 AM: “Warner Bros. – 2nd Rhapsody for cartoon.” Studio records list Gimpel recording the music on February 2, 1946 and being paid $250.<\/p>\n

According to historian and voice artist Keith Scott, the pianist for The Cat Concerto<\/em> was Calvin Jackson who recorded Liszt\u2019s Rhapsody No. 2 on April 8, 1946. Peter Gimpel believes the uncredited pianist for the MGM cartoon was Shura Cherkassky, a friend of his father Jakob, who as a prank shared the idea of a cartoon character playing Liszt\u2019s famous composition and being interrupted by a mouse with MGM.<\/p>\n

\"rhapsody-rabbit-mouse\"Others have suggested that the uncredited pianist in the MGM cartoon was actually musical director Scott Bradley assisted by John Crown, Head of Piano at University of Southern California. Producer Joe Barbera could not remember who the pianist was other than someone famous. The Cat Concerto<\/em> won the Academy Award as the Best Animated Short and Rhapsody Rabbit<\/em> wasn\u2019t even nominated. <\/p>\n

While many people have made informed guesses, the mystery remains unsolved as to how the two cartoons are so similar and why both were rushed through production at the same time. Animation historian Thad Komorowski wrote a terrific article about the controversy at this link<\/a>.<\/p>\n

Joe Barbera on Godzilla Voices<\/strong>. From the book \u201cInside the TV Business (1979) by Paul Klein and Steve Morgenstern, Hanna-Barbera legend Joe Barbera talked about the voices for the 1978 Godzilla animated series: \u201cYesterday, we were testing voices for Godzilla and Godzooky. You have to see this to believe it because there\u2019s Ted Cassidy, who\u2019s a huge giant of a man, and he\u2019s roaring as Godzilla and then Don Messick is answering him as Godzooky, the small one. We have to get personality and fun into it. Now, we live and die on the pick of the voices. I was trying to get a personality with the little guy and I tried to get some words out of him. Well, he came out sounding like an idiot. So now, we got two actors in a room and they begin to communicate with sounds, and we were getting some laughs out of it.\u201d<\/p>\n

Dragons and Dogs.<\/strong> From The New Yorker January 17, 2005 in an article by Margaret Talbot who spent some time at Studio Ghibli is an incident that happened during the making of the animated feature Spirited Away<\/em> (2001).<\/p>\n

\"spirited-dragons-teeth\"\u201cMiyazaki goes on to describe (to his young staff) a scene in which his heroine, Chihiro forces open the dragon\u2019s mouth to give it medicine, he says the animators should be thinking, as they draw, of what it\u2019s like to feed a dog a pill, when you tip its head to the side, and \u2018the dog clenches its teeth and its gums stick out\u2019. There is note-taking but no sign that this might be a familiar experience.<\/p>\n

\u2018Any of you ever had a dog?\u2019 Miyazaki asks.<\/p>\n

\u2018I had a cat,\u2019 someone volunteers.<\/p>\n

\u2018This is pathetic,\u2019 Miyazaki says. The staff was taken to a field trip that night to a veterinary hospital, videotaping a golden retriever\u2019s gums and teeth, and then returning to the studio to study the video.\u201d<\/p>\n

Roy E. Disney Remembers Joe Grant.<\/strong> When Disney Legend Joe Grant passed away on May 6, 2005, Roy E. Disney who had headed Disney Feature Animation from 1983 to 2004 remarked, \u201cI think there was always a gentle sweetness to Joe and his work. There\u2019s a gentility in everything he touched. But there\u2019s also a great sophistication. He was one of the truly great craftsmen of our art, but he always saw his craft as a way to communicate ideas.\u201d<\/p>\n

Thurl Ravenscroft Up In The Air.<\/strong> Thurl Ravenscroft did a lot of voice over work in animation from Tony the Tiger<\/em> to singing the Grinch<\/em> theme song to several jobs for Disney. However, in his biographies, the following information is never mentioned. <\/p>\n

\"cereal-1\"<\/a>During World War II, he became a navigator for the Air Transport Command, flying 150 North Atlantic crossings. On one mission, his crew flew Prime Minister Winston Churchill to Algiers for a conference with Allied military leaders. <\/p>\n

After the war, Ravenscroft was in charge of ground training for Trans World Airlines\u2019 (TWA) new international division where he met his future wife, June, a flight attendant for TWA, in 1946. They were married three weeks later and remained married until she passed away in 1999. In 1947, he returned to Hollywood and formed a popular male quartet called the Mellomen.<\/p>\n

Ravenscroft was highly religious and recorded the Book of Psalms for the Blind and in 1981 he began narrating annual presentations of \u201cThe Glory of Christmas\u201d at the Crystal Cathedral in Garden Grove. When people asked how he made a living, he would say, \u201cWell today I sang like a mouse; I was a horse out in the barn; I was the voice of a coyote.\u201d <\/p>\n

Brad Bird on The Incredibles Sequel in 2005.<\/strong> Earlier this year, Brad Bird confirmed<\/a> that Incredibles 2<\/em> was officially in development. Ten years prior, on March 19th, 2005, animator and director Brad Bird talked to the New York Post about the possibility of a sequel to The Incredibles<\/em> (2004). <\/p>\n

\u201cI would say \u2018never say never\u2019. But there are good sequels and there are bad sequels. I might be interested if the original filmmakers were involved \u2013 and in every case they thought they could improve up on the original and if I had an idea that could take the characters into new places. I don\u2019t think the world needs another Jaws 2<\/em>. I have no sympathy for any film company interested in doing that kind of sequel.<\/p><\/blockquote>\n

\u201cMy previous film The Iron Giant<\/em> (1999) was seen wrongly as a left-wing film and some people have misconstrued \u2018The Incredibles\u2019 as having a right-wing agenda. Both those analyses are very limited.\u201d<\/p><\/blockquote>\n