{"id":15127,"date":"2014-12-16T00:01:22","date_gmt":"2014-12-16T08:01:22","guid":{"rendered":"http:\/\/cartoonresearch.com\/?p=15127"},"modified":"2019-12-03T01:21:19","modified_gmt":"2019-12-03T09:21:19","slug":"a-charlie-brown-christmas-on-vinyl","status":"publish","type":"post","link":"https:\/\/cartoonresearch.com\/index.php\/a-charlie-brown-christmas-on-vinyl\/","title":{"rendered":"\u201cA Charlie Brown Christmas\u201d on Vinyl"},"content":{"rendered":"

Charlie Brown is a blockhead, but he did get a nice Christmas special \u2014 not only legendary for TV, but for the recording industry as well.<\/p>\n\"CB_Cmas_1965-550\"\n

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A CHARLIE BROWN CHRISTMAS<\/strong>
\nOriginal TV Soundtrack<\/em>
\nThe Vince Guaraldi Trio
\nFantasy Records FANT-5018 (Mono) (12\u201d 33 1\/3 RPM LP \/ 1965) <\/p>\n

Producer\/Arranger:<\/strong> Vince Guaraldi. Choir Director: Barrett Mineah. Engineer: Sol S. Weiss. Running Time:<\/strong> 35 minutes.
\nPerformers:<\/strong> Vince Guaraldi (Piano, Hammond Organ), Jerry Grannell, Colin Bailey (Drums), Fred Marshall, Monty Budwig (Double Bass); St. Paul\u2019s Episcopal Church Children\u2019s Choir.
\nSongs:<\/strong> \u201cChristmastime is Here\u201d by Vince Guaraldi and Lee Mendelson; \u201cHark! The Herald Angels Sing\u201d by Charles Wesley.
\nInstrumentals:<\/strong> \u201cChristmastime is Here,\u201d \u201cSkating,\u201d \u201cChristmas is Coming,\u201d \u201cLinus and Lucy\u201d by Vince Guaraldi; \u201cFur Elise\u201d by Ludwig von Beethoven; \u201cThe Christmas Song\u201d by Bob Wells and Mel Torme; \u201cO Tannenbaum\u201d by Ernst Anschutz; \u201cWhat Child is This?\u201d by Katherine Caldecott Davis.<\/p><\/blockquote>\n

The triple-platinum success of the soundtrack album to one of (or for many, THE<\/em>) greatest animated holiday special of all time) must have come as a pleasant surprise to its record label, just as the program itself did for the creative team, the network and sponsors. Few must have realized how A Charlie Brown Christmas<\/em> would imbed itself into our collective pop culture psyche. The use of jazz music was among the many things that made decision makers nervous.<\/p>\n

Vince Guaraldi was already a successful composer\/performer, who broke through with \u201cCast Your Fate to the Wind.\u201d Fantasy Records, a small label founded in 1949 with such jazz performers as Dave Brubeck and Gerry Mulligan, expected this album to do better than average because of its Peanuts tie-in, but it soared to becoming one of the best-selling Christmas albums ever, destined to be forever reissued, repackaged and reinterpreted.<\/p>\n

It can also be assumed that, had A Charlie Brown Christmas been highly touted in the industry as a sure-fire vinyl hit, one of the major labels would have snapped it up. Fortunately for the Fantasy label\u2014which also benefitted from the leadership of producer Saul (Bakshi’s Lord of the Rings<\/em>) Zaentz, who came on in the mid \u201950s\u2014the album was a catalog cornerstone that encouraged the sales of other Guaraldi albums. The label was eventually merged with Concord Music in a deal involving legendary TV producer Norman Lear.<\/p>\n

Even though it\u2019s not as flashy as other Christmas discs of the period, its low-key feel makes it a great multi-purpose album to play for any number of reasons: as a background for a gathering, a pure listening experience, and a constant source of happiness for Peanuts fans. Many fine Peanuts albums have followed, but this is still the quintessential work (and is actually Guaraldi\u2019s second Peanuts platter, following his A Boy Named Charlie Brown<\/em> \u2014 not to be confused with Columbia\u2019s 1969 feature film soundtrack, this Fantasy release was the underscore of a Schulz documentary).<\/p>\n

Purely speculation on my part, but I believe the two sides of this LP were accidentally reversed in its initial release and the mistake has never been corrected. Why wouldn\u2019t the album open with the vocal and close with the instrumental of \u201cChristmastime is Here?\u201d Starting the track list with \u201cO Tannenbaum\u201d puts the lengthy \u201cChristmastime\u201d instrumental right before the vocal. As a music program, the sides seem flipped\u2014but thanks to CDs and digital playlists, one can choose any programming order.<\/p>\n

Fantasy\/Concord reissued the vinyl and CD many times over. With the new interest in vinyl today, both the Charlie Brown Christmas<\/em> soundtrack and Jazz Impressions Boy Named Charlie Brown<\/em> (its original title) are sold today in vinyl, CD and download. There was even some controversy over a few tracks in the 2006 release<\/a> (yet apparently leaving side one and two backward bothered no one but me).<\/p>\n

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A CHARLIE BROWN CHRISTMAS<\/strong>
\nMusic and Story from the TV Soundtrack<\/em>
\nCharlie Brown Records (Buena Vista Records) #3701 (Mono \/ 12\u201d 33 1\/3 RPM LP with Book \/ 1977 \/ 21 minutes)<\/p>\n\"CB_Cmas_LLP-550\"\n

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A CHARLIE BROWN CHRISTMAS<\/strong>
\nA Charlie Brown Read Along Book and Record<\/em>
\nCharlie Brown Records (Buena Vista Records) #401 (Mono \/ 7\u201d 33 1\/3 RPM LP with Book \/ 1977 \/ 11 minutes) <\/p>\n

Producers:<\/strong> Jymn Magon, Lee Mendelson. Writers: Charles M. Schulz, Jymn Magon. Music: Vince Guaraldi. Choir Director: Barrett Mineah.
\nVoices:<\/strong> Peter Robbins (Charlie Brown), Christopher Shea (Linus), Tracy Stratford (Lucy); Bill Melendez (Snoopy); Ann Altieri (Frieda); Chris Doran (Shermy, Schroeder); Karen Mendelson (Patty); Geoffrey Ornstein (Pig Pen); Kathy Steinberg (Sally).
\nAdditional Dialogue<\/strong>: Arrin Skelley (Charlie Brown); Michelle Muller (Lucy), Daniel Anderson (Linus).
\nSongs:<\/strong> \u201cChristmastime is Here\u201d by Vince Guaraldi and Lee Mendelson; \u201cHark! The Herald Angels Sing\u201d by Charles Wesley.
\nInstrumentals:<\/strong> \u201cChristmastime is Here,\u201d \u201cSkating,\u201d \u201cChristmas is Coming,\u201d \u201cLinus and Lucy\u201d by Vince Guaraldi; \u201cFur Elise\u201d by Ludwig von Beethoven.<\/p><\/blockquote>\n

You could have knocked over Peanuts fans with a feather when, out of the blue, \u201cThe Charlie Brown Record Company\u201d started releasing vinyl treasures based on classic and new Peanuts specials (and one movie, Snoopy Come Home).<\/p>\n

The \u201cCompany\u201d was actually Disney\u2019s Buena Vista label, where, under the supervision of wunderkind producer Jymn Magon (who had struck MousekeGold with the triple platinum LP, Mickey Mouse Disco) was approaching outside companies to license characters and stories for the revitalized label\u2014including Rankin\/Bass specials, the Star Trek<\/em> and Star Wars<\/em> movies and such properties as Rainbow Brite and later Alvin and the Chipmunks, Gumby, Garfield<\/em> and the Get-Along Gang<\/em>, to name just a few. <\/p>\n

The Charlie Brown label releases were a blend of soundtrack elements and supplemental recordings to explain visuals or assist in the editing process. The music tracks existed independently of the dialogue, as did the sound effects, so they could all be used as needed and not necessarily to match the films exactly.<\/p>\n

Some of these discs made more use original soundtracks than others. A Charlie Brown Christmas<\/em> is a good example of such a hybrid. For the new material, the young cast doing Peanuts animation voices in the late \u201870s (heard in 1979\u2019s You\u2019re the Greatest, Charlie Brown<\/em>) were brought in to augment the tracks on the records. To a Peanuts enthusiast, this is pretty obvious but understandable. Every effort was made to keep the new and original voice tracks as distant as possible to avoid comparisons, but nevertheless many a \u201cCharlie Brown Record\u201d features two actors voicing the same character.<\/p>\n

\"Click<\/a>

Click to enlarge<\/p><\/div>\n

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This process was especially apparent in the 7\u201d little LP book and record version of A Charlie Brown Christmas, in which a greater amount of additional dialogue was necessary to make the record match the book. The LLPs are not simple edits of the LPs, nor are the LPs simple \u201cpick ups\u201d of the soundtracks. <\/p>\n

Buena Vista\u2019s Charlie Brown Records line enjoying a long and successful run on store shelves but were eventually eclipsed by home video (which offered the shows themselves) and the shift from vinyl to compact disc.<\/p>\n

One interesting postscript: the bright red A Charlie Brown Christmas<\/em> story album cover can be glimpsed in a few quick shots of Iron Man 3<\/em>, in an early workshop sequence. Either Tony Stark had the record album as a kid or bought it on eBay. He has great taste in records.<\/p>\n

GIVE A LITTLE LISTEN<\/strong>
\nFinale Sequence with \u201cO Tannenbaum\u201d and \u201cHark! The Herald Angels Sing\u201d<\/em>
\nThe opening of this clip comes from the Buena Vista 7\u201d read-along, in which there are two Lucys and Linuses, as well as Arrin Skelley instead of Peter Robbins as Charlie Brown. The 1977 cast says the final line, then we go to the actual mono 1965 Fantasy album for the \u201cHark\u201d which includes the last few notes usually faded on TV because of the original Coca-Cola holiday greeting<\/a>.<\/p>\n