From the Files of Walter Lantz…
I thought it might be a good day to spend time rummaging through my Walter Lantz files. Here’s a potpourri of visual materials submitted for your approval – and for future reference.
I thought it might be a good day to spend time rummaging through my Walter Lantz files. Here’s a potpourri of visual materials submitted for your approval – and for future reference.
“A Haunting We Will Go” is the third and final cartoon starring Lil’ Eightball. It is different from the other two cartoons on a surface level.
Walter Lantz’s second “Lil’ Eightball” episode offers a more defined protagonist over the first entry, but there is little improvement beyond that.
For their cover recording, the Sportsmen Quartet had the accompaniment of a ukulele, a vocal bass–and the able assistance of Mel Blanc.
You can well imagine the surprise when the Oscar nominations were announced and “Woody Woodpecker” had been nominated for Best Song!
You demanded it. I’m back with my thoughts on another series of politically incorrect cartoons – this time the first of three cartoons starring L’il Eightball from producer Walter Lantz.
Mel Blanc would be 110 on Wednesday, so here’s a “Spin” focusing on a little-discussed member of his “stable” who he performed longer on records than in films.
Asked in public to do the Woody Woodpecker laugh, Gracie Lantz would oblige – while her husband would simply shake his head. “No dignity… She used to be very proper.”
It’s a short post today, but here’s a better copy of a Lantz commercial short that should be seen – especially if you haven’t!
To start off the New Year, this week’s post on moonlighting animation artists in comics is Warner Bros. animator John Carey!