Walt Disney’s “Mary Poppins” Makes Recording Industry History
Our friend Richard Sherman turned 90 last week! Let’s celebrate the impact he and his brother Robert had on the Disney record company with their landmark score.
Our friend Richard Sherman turned 90 last week! Let’s celebrate the impact he and his brother Robert had on the Disney record company with their landmark score.
The last Pooh featurette to be released during Disneyland Records’ original vinyl era was also the only one to feature Paul Winchell as Tigger—and win a Grammy.
In an unusual (and very popular) audio adaptation of a Disney animated feature, the voice of Cinderella was Snow White and Maleficent was the Wicked Queen…?
The innovations of the pioneering Disney Music Group composer/conductor, who would have been 105 this Friday May 11th, still influence every groove, disc and download.
The release of the first two-channel stereo sound track for an animated feature was presented with almost as much fanfare as the birth of Princess Aurora herself.
Bambi was a bit of a challenge for the Disney song pluggers. For Bambi was something that had not been tried before–a feature-length, animated drama.
In the Goofy tradition, we celebrate April Fool’s Day and Goofy’s birthday– neither of which is today–with his first LP, for which he recorded absolutely nothing.
A journey through two fine interpretations of Walt Disney’s 1953 animated classic, one featuring most of the original film voices and another with a British cast.
The Disneyland Records adaptation of The Country Cousin is lesser known among Disney recordings, notably different from the cartoon version and invites some interesting speculation.
You would think that, by 1936, the folks at the Walt Disney studios would have every way figured to promote their product. Toys . . . newspaper comic strips ….