Animation Anecdotes #328
Osamu Tezuka briefly met Walt Disney at the 1964 New York’s World Fair. I recently stumbled across Tezuka’s own remembrance of that encounter.
Osamu Tezuka briefly met Walt Disney at the 1964 New York’s World Fair. I recently stumbled across Tezuka’s own remembrance of that encounter.
The sorriest set of submissions from any year, thus far. Ward Kimball, Jules Engel and Chuck Jones must have pulled their hair out.
An incredible mix at this years screening: foreign films, independent animation, studio shorts (some of which cross the border into the realm of TV cartoons).
This year’s Oscar snubs include an independent film from John Hubley, new wave Terrytoons from Gene Deitch, a few last gasps from UPA… and What’s Opera Doc.
Sorry Disney, Warners, Lantz and MGM. If you were UPA this year – you got nominated. Everyone else: Not Nominated!
Steve Bosustow told a newspaper in 1959 that work on a feature-length cartoon about the African American jazz artist Jelly Roll Morton was underway.
We continue our research into what cartoons were submitted to the Academy for Oscar consideration – but failed to make the cut.
These internal memos – I believe from the files of CBS – I post for no other reason than they’re just a few more pieces in the jigsaw puzzle of animation history.
Man Alive! is a strikingly designed and executed short by UPA produced for the American Cancer Society. The story has as much thought as the design.
In the early ‘40s, while he was animating for Warner Bros., Gil Turner was one of the first artists recruited by Jim Davis to freelance in funny animal comic books.