Looney Tunes 1939-40: Keep On Keepin’ On
By the 1939-40 season, a new pattern had now been established – and the use of Warner songs in the cartoons became much more sophisticated.
By the 1939-40 season, a new pattern had now been established – and the use of Warner songs in the cartoons became much more sophisticated.
Into the late 1940’s, with another springtime holiday for eggs on the plate. It’s high time all of Hollywood’s chickens and bunnies took some tips on the subject from the greatest “Wabbit” of them all.
For the 1938-39 film season, there were about twice as many Merrie Melodies produced in color as there were Looney Tunes in black and white.
By the beginning of the 1937-1938 season, both the Looney Tunes and Merrie Melodies were zooming their Warner Brothers’ shields at the audience.
With a tip o’ me hat, I present the first in a series of articles paying tribute to those diminutive Irish mischief makers: The Leprechauns!
Carl W. Stalling comes aboard to do the musical scores, replacing the Brown – Spencer team, finding new ways to use the Warner songs creatively in the cartoons.
The studio found its new star from one of the gang introduced in the Merrie Melodies short, I Haven’t Got a Hat. And they continued to plug songs from Warner Bros. films.
An overview of cartoons dealing with the fictional figures and more anthropomorphic timepieces that have helped us calculate countdowns to the New Year through many a generation – clocks, and Father Time.
Creatures from outer space visiting our Earth. That happened more than a few times in Hollywood cartoons during the 1950s and 60s – in fact, it was an all-out invasion!
One of the most memorable Halloween “tricks” of all time – from the classic roots of broadcast media, and further immortalized in animated cartoon form – Invaders from Mars!