Lost Warner Bros. Original Titles
Here, feast your eyes on these: a selection of rarely seen Looney Tunes title cards and credits.
Here, feast your eyes on these: a selection of rarely seen Looney Tunes title cards and credits.
With character design running the gamut from mere black dots to miniature sensual humanized chorus girls, we continue our weekly survey of toons focusing on the common flea.
Receiving the Oscar in March 1956, “Speedy Gonzales” won for best cartoon short of 1955 – and here are some clues on how it and why it was submitted.
The Looney Tunes staff moves into a new building on the lot – and Gerry Chiniquy was a child movie actor named Monte Clare?
A splice of cartoon life! This week, the first half of 1955, with these chatty columns from the Warner Bros. Cartoon Department
Once again, we take a peek behind the scenes of the Warner Bros. Cartoon Department via the monthly columns in the in-house studio newsletter.
First the bad news – USC only has three months of Warner Club News for us in 1946. The good news: there’s lots of odd stuff for us to decipher among these few pages.
Once again we present another six months of columns devoted to the Warner Bros. Cartoon Department, written by either Warren Foster, Tedd Pierce or Michael Maltese back in the day.
The first of a new series of posts containing the Warner Bros. Cartoons column from the studio’s in-house organ, Warner Club News.
To celebrate the new year we present part 2 of the original Michael Maltese storyboard to Duck Dodgers and the Return of the 24 1/2 Century.