Schlesinger’s Exposure Sheet 1.4
Once again, another look behind the scenes at Termite Terrace through the pages of their zany in-house newsletter, The Exposure Sheet. This is the fourth in our series; the fourth…
Once again, another look behind the scenes at Termite Terrace through the pages of their zany in-house newsletter, The Exposure Sheet. This is the fourth in our series; the fourth…
We continue our survey of theatrical shorts with these pages from the October 12th 1957 issue of Boxoffice Magazine. Theatrical cartoons were far from dead in 1957 – but they…
Once again we get to hang with the gang at Termite Terrace – through the pages of their zany in-house newsletter, The Exposure Sheet. This is the third in our…
Here we go with another issue of The Exposure Sheet, the in-house bi-weekly newsletter for employees of the Leon Schlesinger studio (circa January 1939). Like the cartoons themselves, the newsletter…
I have been enjoying Michael Sporn and Richard O’Connor’s ongoing reprinting of the NY Animation Union newsletter, Top Cel. If you haven’t already been leafing through these vital pages, you…
It was an odd, confusing time for Hollywood studio theatrical cartoon shorts in the 1960s. The world had completely changed and though the traditional animated short (popular with movie goers…
Today, a tribute to the two men who made it happen. No, not Avery or Clampett, Jones or Freleng… Schlesinger and Selzer. Leon Schlesinger was he original man behind Warner…
Back in 1981, when Friz Freleng was again at Warner Bros. finishing up The Looney Looney Looney Bugs Bunny Movie (1981) and starting work on Bugs Bunny’s Third Movie: 1001…
In a quick follow-up to my post on AAP last week, lets take a look how AAP, later United Artists (UA), exploited the pre-1948 Warner Bros. cartoons library to the…
I got a lot of positive response to my post about The Bugs Bunny Show last week – including this postcard from reader DJ Anderson. The image above is a…